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|a 781.646097292
|2 22
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|a UAMI
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|a Henriques, Julian,
|e author.
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|a Sonic bodies :
|b reggae sound systems, performance techniques, and ways of knowing /
|c by Julian Henriques.
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|a New York :
|b Continuum,
|c ©2011.
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300 |
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|a 1 online resource (xxxvi, 352 pages) :
|b illustrations, map
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references (pages 317-348) and index.
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|a Print version record.
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|a The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyping up the crowd. Julian Henriques proposes that these dancehall "vibes" are taken literally as the periodic motion of vibrations. He offers an analysis of how a sound system operates - at auditory, corporeal and sociocultural frequencies. Sonic Bodies formulates a fascinating critique of visual dominance and the dualities inherent in ideas of image, text or discourse. This innovative book questions the assumptions that reason resides only in a disembodied mind, that communication is an exchange of information, and that meaning is only ever representation.
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|a Preamble. Thinking through sound. The time and place of sounding ; Body of sound ; Body of thought ; The argument of Sonic bodies -- Introduction. Practising and theorising sounding -- The dancehall scene. Jamaican auditory culture ; Three wavebands of sounding ; Three-fold relationships ; Theoretical context -- Sound systems. Instruments ; Media ; Techniques -- The audio engineer and the material waveband. Fine-tuning. Audio engineering ; Manipulating ; Monitoring ; Evaluating -- Learning to listen. Learning to engineer ; Apprenticeship tradition ; A research methodology of listening ; Sonic engineering -- The selector and the corporeal waveband. Juggling. The selector's role and function in the session ; Skilled performance techniques -- Cut, mix 'n' rewind. Cut and splice ; Mixing ; Rewind and repetition -- The MC and the sociocultural waveband. Voicing. The MC's role in the session ; Lyrical techniques ; Performance tropes ; Personality -- Rhetoric and the logic of practice. An ancient art of communication ; Ways of knowing ; Situatedness; The logic of practice ; Measure and value -- Conclusion. The sonic logos. Know-what and know-how ; Sounding a critique ; Logos as ratio, proportion and patterning ; Triangulation -- Last word: Dubwise.
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Dancehall (Music)
|z Jamaica
|x History and criticism.
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650 |
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|a Dancehall (Musique)
|z Jamaïque
|x Histoire et critique.
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650 |
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|a Rap & Hip-Hop.
|2 bicssc
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|a Theory of music & musicology.
|2 bicssc
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|a MUSIC
|x Genres & Styles
|x Reggae.
|2 bisacsh
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|a Dancehall (Music)
|2 fast
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|a Jamaica
|2 fast
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|a Reggae
|2 gnd
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|a Rezeption
|2 gnd
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|a Hören
|2 gnd
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|a Dance hall
|2 gnd
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|a Kultur
|2 gnd
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|a Performance.
|2 gnd
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|a Audiotechnik
|2 gnd
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|a Jamaika
|2 gnd
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Henriques, Julian.
|t Sonic bodies.
|d New York : Continuum, ©2011
|z 9781441144294
|w (DLC) 2011003536
|w (OCoLC)657602907
|
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