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Contradance /
In a country where much of the prominent poetry seeks to affirm the fleeting present and its changing values, John Peck & rsquo;s poetry comes as an important, if unlikely, gift. Peck & rsquo;s verse deals the cards of the fragmentary, ideogramic, juxtapositional, and elliptical through the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
2011.
|
| Colección: | Phoenix poets.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Peck, John, |d 1941- |e author. | |
| 245 | 1 | 0 | |a Contradance / |c John Peck. |
| 260 | |a Chicago : |b University of Chicago Press, |c 2011. | ||
| 300 | |a 1 online resource (vii, 83 pages) | ||
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| 490 | 1 | |a Phoenix poets | |
| 500 | |a Poems. | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgments; Centuries; Dawn Renga; Canticle of the Winepress; Flowers and Birds of the Four Seasons . . .; Society of Friends; Giovanni, would you . . .; To the One Who Stole My Box of Tools; Club W.; Avedon in his last days . . .; New York Sonnets; Hammonassett, Connecticut; A Veteran; Duchess; Book of Serenity; Fire; Papyrus Fragment Egerton 2; 1618; From the Factory in Wolfsburg; Incomings; Four Rivers and the Pennsy Yards; Contradance; Out of strife, peace: . . .; Venice's last . . .; Across and through- ; R.M.R.; Book of the Dead? We Have No Book of the Dead; Violin. | |
| 520 | |a In a country where much of the prominent poetry seeks to affirm the fleeting present and its changing values, John Peck & rsquo;s poetry comes as an important, if unlikely, gift. Peck & rsquo;s verse deals the cards of the fragmentary, ideogramic, juxtapositional, and elliptical through the deck of normally discursive syntax. Echoing late high Modernism, Peck & rsquo;s work, in the words of novelist Joseph McElroy, is & ldquo;a way of seeing things, & rdquo; confident & ldquo;in the packed vividness of the referential. & rdquo; Avoiding the narrow identity- or group-specific viewpoint of some of his conte. | ||
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| 830 | 0 | |a Phoenix poets. | |
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