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Syro-Hittite Monumental Art and the Archaeology of Performance : the Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium BCE /

The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explor...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Gilibert, Alessandra
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : De Gruyter, 2011, ©2011.
Colección:Topoi (Berlin, Germany) ; v. 2.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Syro-Hittite Monumental Art and the Archaeology of Performance :  |b the Stone Reliefs at Carchemish and Zincirli in the Earlier First Millennium BCE /  |c Alessandra Gilibert. 
260 |a New York :  |b De Gruyter,  |c 2011, ©2011. 
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500 |a Based on a doctoral dissertation completed at the Freie Universität of Berlin in 2008. 
504 |a Includes bibliographical references (pages 139-158) and index. 
520 |a The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs - an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals. 
588 0 |a Print version record. 
505 0 0 |t Frontmatter --  |t Contents --  |t LIST OF FIGURES --  |t List of Tables --  |t Bibliographical abbreviations --  |t Acknowledgements --  |t 1 Introduction --  |t 2 The Syro-Anatolian region in the Iron Age --  |t 3 Carchemish --  |t 4 Zincirli --  |t 5 The embedment of monumental art in ritual performance --  |t 6 Art and ritual performance in diachronic perspective --  |t 7 Conclusions --  |t Bibliography --  |t Catalogue of monumental items --  |t Index of concepts 
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