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Cuba and its music : from the first drums to the mambo /
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind the scenes examination of music from a Cuban point of view, unearthing surprising, provo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago, Ill. :
Chicago Review Press,
©2004.
|
| Edición: | 1st ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Sublette, Ned, |d 1951- | |
| 245 | 1 | 0 | |a Cuba and its music : |b from the first drums to the mambo / |c Ned Sublette. |
| 250 | |a 1st ed. | ||
| 260 | |a Chicago, Ill. : |b Chicago Review Press, |c ©2004. | ||
| 300 | |a 1 online resource (xv, 672 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 500 | |a "An A Cappella book." | ||
| 504 | |a Includes bibliographical references (pages 615-644) and index. | ||
| 505 | 0 | |a Before Cuba -- Colonial Cuba -- Afro-Cuba -- Insurgent Cuba -- The plattist republic -- Batista in power -- The autentico years. | |
| 520 | |a This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind the scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making a case for Cuba as fundamental to the evolution of music in the New World. Revealed are how the music of black slaves transformed 16th century Europe, how the slaves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade, Cuba's relationship to the United States, its revolutionary political traditions the music of Santeria, Palo, Abakua, Vodu, and much more. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |z Cuba |x History and criticism. | |
| 650 | 6 | |a Musique |z Cuba |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Latin. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a Cuba. |2 fast |0 (OCoLC)fst01205805 | |
| 650 | 7 | |a Musik |2 gnd | |
| 651 | 7 | |a Kuba. |2 swd | |
| 648 | 7 | |a Geschichte |2 swd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Sublette, Ned, 1951- |t Cuba and its music. |b 1st ed. |d Chicago, Ill. : Chicago Press Review, ©2004 |z 1556525168 |w (DLC) 2003022097 |w (OCoLC)53178557 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=384659 |z Texto completo |
| 938 | |a Internet Archive |b INAR |n cubaitsmusicfrom0000subl | ||
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| 938 | |a EBSCOhost |b EBSC |n 384659 | ||
| 938 | |a YBP Library Services |b YANK |n 7069077 | ||
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