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Hindu Iconoclasts : Rammohun Roy, Dayananda Sarasvati, and Nineteenth-Century Polemics against Idolatry.

Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists? Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European lan...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Salmond, Noel
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Waterloo : Wilfrid Laurier University Press, 2006.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists? Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European languages, religion, and currents of thought. Dayananda was an itinerant Gujarati ascetic who did not speak English and was not integrated into the culture of the colonizers. Salmond's examination of Dayananda after Rammohun complicates the easy assumption that nineteenth-century Hindu iconoclasm is. 
505 0 |a Preface; Acknowledgments; Note on Orthography; Introduction: Hindu Iconoclasts: An Anomaly?; One: History of Image-Worship in India; Two: Rammohun Roy; Three: Dayananda Sarasvati; Four: Rammohun and Dayananda; Five: Hindu Iconoclasm: Cross-Cultural Dimensions?; Notes; Bibliography; Index. 
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600 0 0 |a Rammohun Roy,  |c Raja,  |d 1772?-1833. 
600 0 0 |a Dayananda Sarasvati,  |c Swami,  |d 1824-1883. 
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