An approach to translation criticism : Emma and Madame Bovary in translation /

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Lance Hewson's book on translation criticism sets out to examine ways in which a literary text may be explored as a translation, not primarily to judge it, but to understand where the text stands in relation to its original by examining the interpretative potential that results from the transla...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hewson, Lance, 1953-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; Philadelphia : John Benjamins Pub. Co., 2011.
Colección:Benjamins translation library ; v. 95.
Temas:
Flaubert, Gustave, > 1821-1880. > Madame Bovary.
Austen, Jane, > 1775-1817. > Emma.
Emma (Austen, Jane)
Madame Bovary (Flaubert, Gustave)
Translating and interpreting.
Discourse analysis, Literary.
Criticism.
Discours littéraire.
Critique.
literary criticism.
criticism.
LANGUAGE ARTS & DISCIPLINES > Translating & Interpreting.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: ch. 1 Introduction
  • 1.1. Translation Quality Assessment
  • 1.2. Translation criticism
  • 1.2.1. Leuven-Zwart and Koster: "shifts" and the tertium comparationis
  • 1.2.2. Armin Paul Frank and the transfer-oriented approach
  • 1.2.3. Antoine Berman's "critique"
  • 1.2.4. Corpus Based Translation Studies
  • 1.3. In search of a new model
  • 1.3.1. Source vs. target
  • 1.3.2. Terminology
  • 1.3.3. Identifying passages and the micro-meso-macro-level relationship
  • 1.3.4. question of style
  • 1.3.5. tertium comparationis
  • 1.3.6. critic's interpretative position
  • 1.4. brief outline of methodology
  • 1.4.1. Preliminary data
  • 1.4.2. critical framework
  • 1.4.3. Micro- and meso-level analysis
  • 1.4.4. Macro-level analysis
  • 1.5. Corpus
  • 1.6. Concluding remarks
  • ch. 2 From preliminary data to the critical framework
  • 2.1. Madame Bovary
  • 2.1.1. Preliminary data for Madame Bovary
  • 2.1.1.1. Editions of Madame Bovary
  • 2.1.1.2. English translations of Madame Bovary
  • 2.1.1.3. macrostructure of the six Madame Bovary translations
  • 2.1.2. critical framework for Madame Bovary
  • 2.1.3. choice of passages for Madame Bovary
  • 2.2. Emma
  • 2.2.1. Preliminary data for Emma
  • 2.2.1.1. Editions of Emma
  • 2.2.1.2. French translations of Emma
  • 2.2.1.3. macrostructure of the three Emma translations
  • 2.2.2. critical framework for Emma
  • 2.2.3. choice of passages for Emma
  • 2.3. From the critical framework to the initial reading
  • 2.4. Conclusion
  • ch. 3 Describing translational choices and their effects
  • 3.1. passage from Madame Bovary
  • 3.2. passage from Emma
  • 3.3. Tools and metalanguage for describing translational choices
  • 3.3.1. Describing syntactic choice
  • 3.3.1.1. Syntactic caique and partial caique
  • 3.3.1.2. Overall form
  • 3.3.1.3. Fronting
  • 3.3.1.4. Juxtaposition
  • 3.3.1.5. Extraposition
  • 3.3.1.6. Recategorization
  • 3.3.1.7. Modulation
  • 3.3.1.8. Other syntactic choices
  • 3.3.2. Describing lexical choice
  • 3.3.2.1. Established equivalent
  • 3.3.2.2. Borrowing, explicitation, implicitation, hyperonymy and hyponymy
  • 3.3.2.3. Description and cultural adaptation
  • 3.3.2.4. Modification and radical modification
  • 3.3.2.5. Creation
  • 3.3.3. Describing grammatical choice
  • 3.3.3.1. Tense and aspect
  • 3.3.3.2. Modality
  • 3.3.4. Describing stylistic choice
  • 3.3.4.1. Repetition, appellatives, and anaphoric devices
  • 3.3.4.2. Cliche
  • 3.3.4.3. Trope
  • 3.3.4.4. Rhythm
  • 3.3.4.5. Alliteration and assonance
  • 3.3.4.6. Register
  • 3.3.4.7. Connotation
  • 3.3.5. Overriding translational choices: Addition and Elimination
  • 3.3.5.1. Addition
  • 3.3.5.2. Elimination
  • 3.3.6. Free indirect discourse (FID)
  • 3.4. Meso-level effects
  • 3.4.1. Voice effects
  • 3.4.2. Interpretational effects
  • 3.4.3. question of impact
  • 3.5. Meso-level analyses
  • 3.5.1. Passage 3:1
  • 3.5.2. Passage 3:2
  • 3.6. Conclusion
  • ch. 4 Two translations of Emma
  • 4.1. social framework
  • 4.2. Looking for clues
  • 4.3. author's narrator and free indirect discourse
  • 4.4. Results and conclusion
  • ch. 5 Three versions of Madame Bovary
  • 5.1. Dialogue
  • 5.2. depiction of iterative "reality"
  • 5.3. Fantasy
  • 5.3.1. Charles' daydream of Berthe's future
  • 5.3.2. Emmas fantasized elopement
  • 5.4. Hallucination
  • 5.5. Results and conclusion
  • ch. 6 macrostructural level
  • 6.1. macro-level
  • 6.2. Macro-level effects
  • 6.2.1. Voice effects
  • 6.2.2. Interpretational effects
  • 6.3. General macro-level categories
  • 6.3.1. From "divergent similarity" to "adaptation"
  • 6.4. Drawing up hypotheses
  • 6.5. Conclusion
  • ch. 7 Radical divergence and adaptation
  • 7.1. Saint-Segond
  • 7.2. May and Hopkins
  • 7.3. Salesse-Lavergne
  • 7.4. Nordon
  • 7.5. Conclusion
  • ch. 8 Relative divergence
  • 8.1. Russell
  • 8.2. Steegmuller
  • 8.3. Conclusion
  • ch. 9 Divergent similarity
  • 9.1. Mauldon
  • 9.2. Wall
  • 9.3. Mauldon and Wall compared
  • 9.4. Russell and Steegmuller
  • 9.5. Hopkins and May
  • ch. 10 Conclusion
  • 10.1. Pitfalls and inherent weaknesses
  • 10.2. Results
  • 10.3. need for criticism
  • 10.4. purpose of criticism
  • References
  • 1. Primary sources
  • 2. Secondary sources
  • 3. Websites.

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