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Michael Ondaatje : haptic aesthetics and micropolitical writing /
This study of selected literary and cinematic works by Michael Ondaatje investigates the political potential of the Canadian authors aesthetics. Contributing to current debates about affect and representation, ideology critique and the artwork, trauma and testimony, this book uses the concept of the...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Continuum,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The Multiple Senses of the Haptic
- A Touch Affectionate but Troubling
- Michael Ondaatje: Writing Politically with a Difference
- 1. Haptic Writing as Affective Cinema
- Hapticizing the "I"/"Eye" in The Collected Works of Billy the Kid
- Coming through the Haptic Cut: History in the Making and Coming through Slaughter
- Humble Affections of the Cinematic: Michael Ondaatje's Films of the 1970s
- 2. Haptic Aesthetics and Witness Writing
- "Touching into Words": The Intimacy of Witness Writing in Running in the Family
- Witnessing the Body/The Body Witnessing in Anil's Ghost
- 3. Haptic Writing and Micropolitical Betrayals
- "A Falling Together of Accomplices" in In the Skin of a Lion: Writing, History, Betrayal
- Between the Grope of the Hand and the Sight of a Rifle: The Betrayal of Propinquity in The English Patient
- Betrayals of the Cinematic: Anthony Minghella's The English Patient.