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Dickens and creativity /
This monograph covers Dickens and creativity, analysing both his discussion of creativity and imagination and illustrations in his work. Charles Dickens' experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works intuitivel...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Continuum,
©2008.
|
| Colección: | Continuum literary studies.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hardy, Barbara Nathan. | |
| 245 | 1 | 0 | |a Dickens and creativity / |c Barbara Hardy. |
| 260 | |a London ; |a New York : |b Continuum, |c ©2008. | ||
| 300 | |a 1 online resource (xvi, 181 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Continuum literary studies | |
| 504 | |a Includes bibliographical references (pages 175-177) and index. | ||
| 505 | 0 | |a A career and its context -- Dickens discusses creativity -- The awareness of art in Sketches by Boz, Pickwick papers, Oliver Twist, Barnaby Rudge, The Old Curiosity Shop, A Christmas carol and The chimes -- The artist as narrator in Doctor Marigold, David Copperfield, Bleak House and Great expectations -- Talkative men and women in Pickwick papers, Nicholas Nickleby, Martin Chuzzlewit and Little Dorrit -- Imaginative extremes, negations and norms -- Subversions and oppositions -- Crises of imagination in Oliver Twist, A Christmas carol, Domeby and son, Bleak house, Hard times and The lazy tour of two idle apprentices -- Forecast and fantasy in Little Dorrit -- Creative conversation in Hard times, Great expectations and Our mutual friend -- Assertions of style : rhythm and repetition in A tale of two cities and Our mutual friend -- Shakespeare in Dickens : David Copperfield and Great expectations -- Dickens in the twentieth century. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a This monograph covers Dickens and creativity, analysing both his discussion of creativity and imagination and illustrations in his work. Charles Dickens' experience and imagining of creativity is at the heart of his self-awareness, subject-matter and narrative. His intelligence works intuitively rather than conceptually and ideas about imagination often emerge informally in personal letters and implicitly through characters, language and story. His self-analysis and reflexive tendency are embedded in his styles and forms of narrative and dialogue, images of normality, madness, extremity, subver. | ||
| 546 | |a English. | ||
| 532 | 1 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Dickens, Charles, |d 1812-1870 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Dickens, Charles, |d 1812-1870 |2 fast |
| 600 | 1 | 7 | |a Dickens, Charles, |d (1812-1870) |x Critique et interprétation. |2 ram |
| 600 | 1 | 7 | |a Dickens, Charles. |2 swd |
| 650 | 0 | |a Imagination in literature. | |
| 650 | 0 | |a Creation (Literary, artistic, etc.) | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Creation (Literary, artistic, etc.) |2 fast | |
| 650 | 7 | |a Imagination in literature |2 fast | |
| 650 | 7 | |a Kreativität |2 gnd | |
| 650 | 7 | |a Imaginaire |x Dans la littérature. |2 ram | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Hardy, Barbara Nathan. |t Dickens and creativity. |d London ; New York : Continuum, ©2008 |z 9780826495266 |w (DLC) 2008026928 |w (OCoLC)233029404 |
| 830 | 0 | |a Continuum literary studies. | |
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