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Classical sculpture and the culture of collecting in Britain since 1760 /

This is a book about classical sculptures in the early modern period, centuries after the decline and fall of Rome, when they began to be excavated, restored, and collected by British visitors in Italy in the second half of the eighteenth century. Viccy Coltman contrasts the precarious and competiti...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Coltman, Viccy
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford ; New York : Oxford University Press, 2009.
Colección:Classical presences.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Coltman, Viccy. 
245 1 0 |a Classical sculpture and the culture of collecting in Britain since 1760 /  |c Viccy Coltman. 
260 |a Oxford ;  |a New York :  |b Oxford University Press,  |c 2009. 
300 |a 1 online resource (xiv, 315 pages, 32 unnumbered pages of plates) :  |b illustrations 
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490 1 |a Classical presences 
504 |a Includes bibliographical references (pages 281-299) and index. 
505 0 |a Introduction: Lord Lansdowne's Wounded Amazon -- 'The loving labours of a learned German': Adolf Michaelis and the historiography of classical sculpture in Britain -- 'The spoils of Roman grandeur': correspondence collecting and the market in Rome -- The operations of sculpture: (Re) writing restoration -- Collecting and global politics: the export of marbles from Rome and their transport to Britain -- "The lecture on Venus's arse: Richard Cosway's Charles Townley with a group of connoisseurs, c.1771-5 -- 'Placed with propriety': the display and viewing of ancient sculpture -- 'Casting a lustful eye': Charles Townley as collector and cataloguer -- Conclusion: Joseph Nollekens' The judgement of Paris. 
588 0 |a Print version record. 
520 |a This is a book about classical sculptures in the early modern period, centuries after the decline and fall of Rome, when they began to be excavated, restored, and collected by British visitors in Italy in the second half of the eighteenth century. Viccy Coltman contrasts the precarious and competitive culture of eighteenth-century collecting, which integrated sculpture into the domestic interior back home in Britain, with the study and publication of individual specimens byclassical archaeologists like Adolf Michaelis a century later. Her study is comprehensively illustrated with over 100 phot. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
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546 |a English. 
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600 0 7 |a Plastik  |2 gnd 
650 0 |a Sculpture, Classical  |x Collectors and collecting  |z Great Britain  |x History. 
650 6 |a Sculpture antique  |x Collectionneurs et collections  |z Grande-Bretagne  |x Histoire. 
650 7 |a ART  |x Sculpture & Installation.  |2 bisacsh 
650 7 |a Sculpture, Classical  |x Collectors and collecting  |2 fast 
651 7 |a Great Britain  |2 fast 
650 7 |a Antike  |2 gnd 
651 7 |a Groḃritannien  |2 gnd 
650 7 |a Sammlung  |2 gnd 
648 7 |a Geschichte 1760-1800.  |2 swd 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Coltman, Viccy.  |t Classical sculpture and the culture of collecting in Britain since 1760.  |d Oxford ; New York : Oxford University Press, 2009  |z 9780199551262  |w (DLC) 2009930573  |w (OCoLC)264023538 
830 0 |a Classical presences. 
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