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Art, power, and modernity : English art institutions, 1750-1950 /
Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Leicester University Press,
©2000.
|
| Colección: | Contemporary issues in museum culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Fyfe, Gordon. | |
| 245 | 1 | 0 | |a Art, power, and modernity : |b English art institutions, 1750-1950 / |c Gordon Fyfe. |
| 260 | |a London ; |a New York : |b Leicester University Press, |c ©2000. | ||
| 300 | |a 1 online resource (212 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Contemporary issues in museum culture | |
| 504 | |a Includes bibliographical references (pages 183-198) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Plates; Figures; Preface and acknowledgements; 1 Introduction: artists and institutions; 2 Fugitive authorship: William Ivins and the reproduction of art; 3 Art exhibitions and power during the nineteenth century; 4 Auditing the RA: official discourse and the nineteenth-century Royal Academy; 5 Art and reproduction: some aspects of the relations between painters and engravers in London, 1760 to 1850; 6 Art classification and rituals of power: the resurgence of etching; 7 A Trojan horse at the Tate: the Chantrey episode; 8 Towards an historical typology of art museums; Bibliography. | |
| 505 | 8 | |a IndexA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. | |
| 520 | |a Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury. | ||
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| 650 | 6 | |a Art anglais |z Angleterre |z Londres. | |
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| 650 | 1 | 7 | |a Beeldende kunsten. |2 gtt |
| 650 | 1 | 7 | |a Organisaties. |2 gtt |
| 650 | 7 | |a Politique culturelle |z Grande-Bretagne |x Histoire. |2 ram | |
| 650 | 7 | |a Vie artistique |z Grande-Bretagne |y 18e siècle. |2 ram | |
| 650 | 7 | |a Vie artistique |z Grande-Bretagne |y 19e siècle. |2 ram | |
| 650 | 7 | |a Vie artistique |z Grande-Bretagne |y 20e siècle. |2 ram | |
| 650 | 7 | |a Art et État |z Grande-Bretagne |y 18e siècle. |2 ram | |
| 650 | 7 | |a Art et État |z Grande-Bretagne |y 19e siècle. |2 ram | |
| 650 | 7 | |a Art et État |z Grande-Bretagne |y 20e siècle. |2 ram | |
| 650 | 0 | 7 | |a Geschichte 1750-1950. |2 swd |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Fyfe, Gordon. |t Art, power, and modernity. |d London ; New York : Leicester University Press, ©2000 |z 071850111X |w (DLC) 99086882 |w (OCoLC)43109842 |
| 830 | 0 | |a Contemporary issues in museum culture. | |
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