Women in British cinema : mad, bad, and dangerous to know /

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This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency�...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Harper, Sue
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Continuum, 2000.
Colección:Rethinking British cinema.
Temas:
Women in the motion picture industry > Great Britain.
Women in motion pictures.
Femmes dans l'industrie cinématographique > Grande-Bretagne.
Femmes au cinéma.
BUSINESS & ECONOMICS > Industries > Media & Communications.
TECHNOLOGY & ENGINEERING > Telecommunications.
Women in the motion picture industry.
Frau
Films.
Filmbedrijven.
Vrouwen.
Film.
Great Britain.
Großbritannien
Acceso en línea:Texto completo

MARC

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245 1 0 |a Women in British cinema :  |b mad, bad, and dangerous to know /  |c Sue Harper. 
260 |a London ;  |a New York :  |b Continuum,  |c 2000. 
300 |a 1 online resource (vii, 261 pages, 8 unnumbered pages of plates) :  |b illustrations 
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490 1 |a Rethinking British cinema 
504 |a Includes bibliographical references (pages 237-242) and indexes. 
505 0 0 |t Mainstream Representations --  |t The 1930s: Chaos and Opportunity --  |t World War II: Control and Evasion --  |t The Postwar Period: Settlement and Retrenchment --  |t The 1950s: Conformity and Deviance --  |t The 1960s: Delusions of Freedom --  |t The 1970s: Financial and Cultural Penury --  |t The 1980s: 'The British Are Coming' --  |t Women's Work --  |t Producers --  |t Writers --  |t Directors --  |t Costume Designers --  |t Art Directors --  |t Editors. 
520 |a This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency' of production company, director, distribution company or scriptwriter can bring about new patterns of female stereotyping. The second part looks at the input of women workers into the film process. It assesses the work of women in a variety of roles: directors such as Wendy Toye and Sally Potter, producer. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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650 0 |a Women in the motion picture industry  |z Great Britain. 
650 0 |a Women in motion pictures. 
650 6 |a Femmes dans l'industrie cinématographique  |z Grande-Bretagne. 
650 6 |a Femmes au cinéma. 
650 7 |a BUSINESS & ECONOMICS  |x Industries  |x Media & Communications.  |2 bisacsh 
650 7 |a TECHNOLOGY & ENGINEERING  |x Telecommunications.  |2 bisacsh 
650 7 |a Women in motion pictures.  |2 fast  |0 (OCoLC)fst01177931 
650 7 |a Women in the motion picture industry.  |2 fast  |0 (OCoLC)fst01178040 
651 7 |a Great Britain.  |2 fast  |0 (OCoLC)fst01204623 
651 7 |a Großbritannien  |2 gnd 
650 7 |a Frau  |2 gnd 
650 1 7 |a Films.  |2 gtt 
650 1 7 |a Filmbedrijven.  |2 gtt 
650 1 7 |a Vrouwen.  |2 gtt 
650 0 7 |a Film.  |2 swd 
776 0 8 |i Print version:  |a Harper, Sue.  |t Women in British cinema.  |d London ; New York : Continuum, 2000  |z 0826447325  |w (DLC) 99086631  |w (OCoLC)43185917 
830 0 |a Rethinking British cinema. 
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