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Women in British cinema : mad, bad, and dangerous to know /

This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency�...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Harper, Sue
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Continuum, 2000.
Colección:Rethinking British cinema.
Temas:
Acceso en línea:Texto completo

MARC

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504 |a Includes bibliographical references (pages 237-242) and indexes. 
505 0 0 |t Mainstream Representations --  |t The 1930s: Chaos and Opportunity --  |t World War II: Control and Evasion --  |t The Postwar Period: Settlement and Retrenchment --  |t The 1950s: Conformity and Deviance --  |t The 1960s: Delusions of Freedom --  |t The 1970s: Financial and Cultural Penury --  |t The 1980s: 'The British Are Coming' --  |t Women's Work --  |t Producers --  |t Writers --  |t Directors --  |t Costume Designers --  |t Art Directors --  |t Editors. 
520 |a This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency' of production company, director, distribution company or scriptwriter can bring about new patterns of female stereotyping. The second part looks at the input of women workers into the film process. It assesses the work of women in a variety of roles: directors such as Wendy Toye and Sally Potter, producer. 
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