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|a UAMI
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|a Hyland, Peter,
|d 1943-
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|a Disguise on the Early Modern English Stage /
|c Peter Hyland.
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|a Farnham, Surrey, England ;
|a Burlington, VT :
|b Ashgate Pub. Co.,
|c ©2011.
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|a 1 online resource (170 pages)
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|a Studies in performance and early modern drama
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|a Disguise devices figure in many early modern English plays and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study, Hyland examines various conceptual and practical issues that provide a background to theatrical disguise and goes on to consider a range of plays under three broad headings: moral issues, social issues, and aesthetic issues.
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|a Includes bibliographical references and index.
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|a Introduction -- Disguise on the early modern stage -- The performance of disguise -- "Tis I" : revelations -- Disguise and genre -- Disguise as metatheatre -- The reception of disguise -- "Now am I most like my self" : disguise and identity.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Theater
|z England
|x History
|y 16th century.
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650 |
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|a Theater
|z England
|x History
|y 17th century.
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|a Disguise
|x History.
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|a Costume
|x History.
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|a Théâtre
|z Angleterre
|x Histoire
|y 16e siècle.
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650 |
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|a Théâtre
|z Angleterre
|x Histoire
|y 17e siècle.
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|a Déguisement
|x Histoire.
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|a PERFORMING ARTS
|x Theater
|x Stagecraft.
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|a Disguise
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|a England
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|a 1500-1699
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|a Electronic resource.
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|a History
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|i Print version:
|z 9780754641520
|w (OCoLC)694616481
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|a Studies in performance and early modern drama.
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