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Modern music and after /

Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Griffiths, Paul, 1947 November 24-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, ©2010.
Edición:3rd ed.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Griffiths, Paul,  |d 1947 November 24- 
245 1 0 |a Modern music and after /  |c Paul Griffiths. 
250 |a 3rd ed. 
260 |a New York :  |b Oxford University Press,  |c ©2010. 
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504 |a Includes bibliographical references (pages 425-439) and index. 
505 0 |a 1945 -- Rational and irrational : Western Europe, 1945-50 -- Silencing music : Cage, 1946-52 -- Total organization : Western Europe, 1949-54 -- Classic modernism and other kinds : the United States, 1945-55 -- The Cold War -- Extension and development : Western Europe, 1953-56 -- 1956 -- Mobile form : 1956-61 -- Elder responses -- Reappraisal and disintegration : 1959-64 -- 1965 -- Of elsewhen and elsewhere e-- Music theatre -- Politics -- Virtuosity and improvisation -- Orchestras and computers -- Minimalism and melody -- Ending -- 1975 -- Holy minimalisms -- New romanticisms -- New simplicities -- New complexities -- Old complexities -- Spectralisms -- (Unholy?) minimalisms -- Referencings -- 1989 -- Towards mode/meme -- Towards the strange self -- Towards transcendence -- 2001 -- Towards change? 
588 0 |a Print version record. 
520 |a Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's de. 
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