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Creativity and Reproduction : Nineteenth Century Engraving and the Academy.
The study investigates the engravers' rise Otherin the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par Ot...
| Clasificación: | Libro Electrónico |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge Scholars Pub.
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover13;
- Contents13;
- LIST OF ILLUSTRATIONS
- ACKNOWLEDGEMENTS
- LIST OF ABBREVIATIONS
- INTRODUCTION
- CHAPTER ONE: THE ART ACADEMY AND THE GRAPHIC ARTS
- Part I: he Role of Engraving at the Acad233;mie Royale de Sculpture et de Peinture
- Part II: he Role of the Graphic Arts in the Official Art ssociations during the French Revolution
- Part III: T he Institut National, 1795-1803
- Part IV: he Role of Engraving at the Institut, 1795-1803
- Part V: he Creation of a Section de Gra vure at the Institut de Fra nce in 1803
- CHAPTER TWO: SECTION GRAVU RE STITUT FRANCE13;
- Part I: he Composition of the section de vure
- Part II: he Hierarchy of Print Genres
- Part III: Patronage of Medal Engraving
- Part IV: he Preservation of Gem Engraving
- Part V: he Report on the Development of the Arts and he Prix D233;cennaux
- Part VI: The Education of Artists13;
- CHAPTER THREE: THE CREATION OF THE ROME PRIZE FOR ENGRAVING13;
- Part I: he Debate of a Rome Priz e for Engraving in id-Eighteenth Century
- Part II: he Engravers Struggle for Artistic Recognition during the Revolution
- Part III: ngraving and Political Propaganda during the Directory Period
- Part IV: he Creation of the Rome Priz e at the Institut de Fra nce
- CHAPTER FOUR: THE TRAINING OF ENGRAVERS AND THE GRAND PRIX DE GRAVURE13;
- Part I: raining in the Masters Workshop and at the 233;cole des Beaux-Arts
- Part II: he Rome Priz e Competition
- Part III: he Prix de Rome Engravings
- CHAPTER FIVE: THE ENGRAVER'S TRAINING IN ROME13;
- Part I: ome and its Artistic Environment
- Part II: raining the Gra veur Artiste
- Part III: ngraving as Conservation
- Part IV: he Emulation of Sculpture in Medal and em Engraving
- CONCLUSION13;
- APPENDIX A13;
- ENDNOTES13.