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Gender, nationalism, and war : conflict on the movie screen /

Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalis...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Evangelista, Matthew, 1958-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, ©2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Evangelista, Matthew,  |d 1958- 
245 1 0 |a Gender, nationalism, and war :  |b conflict on the movie screen /  |c Matthew Evangelista. 
260 |a Cambridge ;  |a New York :  |b Cambridge University Press,  |c ©2011. 
300 |a 1 online resource (xiii, 289 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Preface -- Virginia Woolf's purse -- Algeria : a world constructed out of ruins -- Yugoslavia : archetype or anomaly? -- Chechnya : virgins, mothers, and terrorists -- Québec : oui, no, or femme -- 'To live to see better times' : gender, nationalism, sovereignty, equality -- Sequel : gender and nationalist violence on film. 
588 0 |a Print version record. 
520 |a Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars. 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Women in motion pictures. 
650 0 |a War films  |x History and criticism. 
650 0 |a Sex role in motion pictures. 
650 0 |a Nationalism in motion pictures. 
650 0 |a Political violence in motion pictures. 
650 0 |a Men in motion pictures. 
650 0 |a Women  |x Political activity. 
650 0 |a Violence in women. 
650 6 |a Femmes au cinéma. 
650 6 |a Films de guerre  |x Histoire et critique. 
650 6 |a Rôle selon le sexe au cinéma. 
650 6 |a Nationalisme au cinéma. 
650 6 |a Violence politique au cinéma. 
650 6 |a Hommes au cinéma. 
650 6 |a Femmes  |x Activité politique. 
650 6 |a Violence chez la femme. 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 7 |a Men in motion pictures.  |2 fast  |0 (OCoLC)fst01016057 
650 7 |a Nationalism in motion pictures.  |2 fast  |0 (OCoLC)fst01033901 
650 7 |a Political violence in motion pictures.  |2 fast  |0 (OCoLC)fst01904303 
650 7 |a Sex role in motion pictures.  |2 fast  |0 (OCoLC)fst01114654 
650 7 |a Violence in women.  |2 fast  |0 (OCoLC)fst01167313 
650 7 |a War films.  |2 fast  |0 (OCoLC)fst01170482 
650 7 |a Women in motion pictures.  |2 fast  |0 (OCoLC)fst01177931 
650 7 |a Women  |x Political activity.  |2 fast  |0 (OCoLC)fst01734136 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Evangelista, Matthew, 1958-  |t Gender, nationalism, and war.  |d Cambridge ; New York : Cambridge University Press, 2011  |z 9781107001947  |w (DLC) 2010051876  |w (OCoLC)693750963 
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