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Digressive Voices in Early Modern English Literature.
Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with d...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford :
OUP Oxford,
2004.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Cotterill, Anne. | |
| 245 | 1 | 0 | |a Digressive Voices in Early Modern English Literature. |
| 260 | |a Oxford : |b OUP Oxford, |c 2004. | ||
| 300 | |a 1 online resource (352 pages) | ||
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| 505 | 0 | |a Introduction: To Wander 'out of the Common Road'; PART I. STRATEGIC SELF-SOUNDING: VOICES RAISED FROM THE DEAD; 1. The 'Motion in Corruption' of Donne's Anniversaries; PART II. SOUNDING INTERIOR GARDENS AT MID-CENTURY; 2. Marvell's Watery Maze at Nun Appleton; 3. 'Lights Framed Like Nets' in Sir Thomas Browne's Garden; 4. Eve's 'Grateful Digressions' and the Birth of Reflection; PART III. STRATEGIC SELF-SOUNDING: MYSTERY, MALICE, AND MASTERY OF A VOICE; 5. Feminine Disguise in The Hind and the Panther; 6. The Obscure Progress of Satire in Dryden's Late Preface. | |
| 505 | 8 | |a Epilogue: Wandered too far? Swift's Monstrous VoiceBibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. | |
| 520 | |a Digressive Voices in Early Modern English Literature looks afresh at major nondramatic texts by Donne, Marvell, Browne, Milton, and Dryden, whose digressive speakers are haunted by personal and public uncertainty. To digress in seventeenth-century England carried a range of meaning associated with deviation or departure from a course, subject, or standard. This book demonstrates that early modern writers trained in verbal contest developed richly labyrinthine voices thatcaptured the ambiguities of political occasion and aristocratic patronage while anatomizing enemies and mourning personal los. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a English literature |y Early modern, 1500-1700 |x History and criticism. | |
| 650 | 0 | |a Digression (Rhetoric) in literature. | |
| 650 | 0 | |a English language |y Early modern, 1500-1700 |x Rhetoric. | |
| 650 | 0 | |a Ambivalence in literature. | |
| 650 | 0 | |a Uncertainty in literature. | |
| 650 | 0 | |a Ambiguity in literature. | |
| 650 | 0 | |a Anxiety in literature. | |
| 650 | 6 | |a Digression (Rhétorique) dans la littérature. | |
| 650 | 6 | |a Anglais (Langue) |y 1500-1700 (Moderne) |x Rhétorique. | |
| 650 | 6 | |a Ambivalence dans la littérature. | |
| 650 | 6 | |a Incertitude dans la littérature. | |
| 650 | 6 | |a Ambiguïté dans la littérature. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a Ambiguity in literature. |2 fast |0 (OCoLC)fst00806740 | |
| 650 | 7 | |a Ambivalence in literature. |2 fast |0 (OCoLC)fst00806748 | |
| 650 | 7 | |a Anxiety in literature. |2 fast |0 (OCoLC)fst00810987 | |
| 650 | 7 | |a Digression (Rhetoric) in literature. |2 fast |0 (OCoLC)fst00893776 | |
| 650 | 7 | |a English language |x Early modern |x Rhetoric. |2 fast |0 (OCoLC)fst01711237 | |
| 650 | 7 | |a English literature |x Early modern. |2 fast |0 (OCoLC)fst01710960 | |
| 650 | 7 | |a Uncertainty in literature. |2 fast |0 (OCoLC)fst01160841 | |
| 648 | 7 | |a 1500-1700 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Cotterill, Anne. |t Digressive Voices in Early Modern English Literature. |d Oxford : OUP Oxford, ©2004 |z 9780199261178 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1213505 |z Texto completo |
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