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EBSCO_ocn721907174 |
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110510s2011 nyuag ob 001 0 eng d |
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|a UAMI
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|a Smith, Anne,
|d 1951-
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|a The performance of 16th-century music :
|b learning from the theorists /
|c by Anne Smith.
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|a New York :
|b Oxford University Press,
|c ©2011.
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|a 1 online resource (x, 244 pages) :
|b illustrations, music
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|a text
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|a online resource
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|a data file
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; About the Companion Web Site; Preface; Contents; 1. Introduction; 2. Part-Book versus Score Culture; 3. Solmization; 4. Metric Hierarchy, Articulation, and Rhythmic Flexibility; 5. Cadences; 6. Mode; 7. The Rhetoric of Counterpoint; 8. What Skills Were Expected of Professional Musicians?; 9. Score Culture; 10. Conclusion; Appendix: Modal Characteristics; Bibliography; Index
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|a Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge.
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Performance practice (Music)
|x History
|y 16th century.
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650 |
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|a Pratique de l'exécution (Musique)
|x Histoire
|y 16e siècle.
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650 |
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|a MUSIC
|x Instruction & Study
|x Techniques.
|2 bisacsh
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|a Performance practice (Music)
|2 fast
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|a 1500-1599
|2 fast
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|a Electronic books.
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|a History
|2 fast
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776 |
0 |
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|i Print version:
|a Smith, Anne, 1951-
|t Performance of 16th-century music.
|d New York : Oxford University Press, ©2011
|z 9780199742622
|w (DLC) 2010007428
|w (OCoLC)531718868
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