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Opera in the novel from Balzac to Proust /
"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York, N.Y. :
Cambridge University Press,
©2011.
|
| Colección: | Cambridge studies in opera.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Newark, Cormac, |d 1972- | |
| 245 | 1 | 0 | |a Opera in the novel from Balzac to Proust / |c Cormac Newark. |
| 260 | |a Cambridge, UK ; |a New York, N.Y. : |b Cambridge University Press, |c ©2011. | ||
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| 490 | 1 | |a Cambridge studies in opera | |
| 520 | |a "The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references (pages 256-282) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Balzac, Meyerbeer and science -- Tout entier?: scenes from grand opéra in Dumas and Balzac -- The novel in opera: residues of reading in Flaubert -- Knowing what happens next: opera in Verne -- The Phantom and the buried voices of the Paris Opéra -- Proust and the soirée à l'Opéra chez soi -- Envoi. | |
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| 650 | 0 | |a French fiction |y 19th century |x History and criticism. | |
| 650 | 0 | |a French fiction |y 20th century |x History and criticism. | |
| 650 | 0 | |a Opera in literature. | |
| 650 | 6 | |a Roman français |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Roman français |y 20e siècle |x Histoire et critique. | |
| 650 | 7 | |a FICTION |x General. |2 bisacsh | |
| 650 | 7 | |a French fiction |2 fast | |
| 650 | 7 | |a Opera in literature |2 fast | |
| 648 | 7 | |a 1800-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Newark, Cormac, 1972- |t Opera in the novel from Balzac to Proust. |d Cambridge, UK ; New York, N.Y. : Cambridge University Press, ©2011 |z 9780521118903 |w (DLC) 2010037676 |w (OCoLC)664450793 |
| 830 | 0 | |a Cambridge studies in opera. | |
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