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Opening Bazin : postwar film theory and its afterlife /

With the full range of his voluminous writings finally viewable, Andre Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism....

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Andrew, Dudley, 1945- (Editor ), Joubert-Laurencin, Hervé (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford ; New York : Oxford University Press, ©2011.
Colección:ACLS Humanities E-Book.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Opening Bazin :  |b postwar film theory and its afterlife /  |c edited by Dudley Andrew ; with Hervé Joubert-Laurencin. 
260 |a Oxford ;  |a New York :  |b Oxford University Press,  |c ©2011. 
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504 |a Includes bibliographical references and index. 
505 0 |a Lineage. A Bazinian half-century / Thomas Elsaesser -- Cinema across fault lines: Bazin and the French school of geography / Ludovic Cortade -- Evolution and event in Qu'est-ce que le cinéma? / Tom Conley -- The reality of hallucination in André Bazin / Jean-François Chevrier -- Beyond the image in Benjamin and Bazin: the aura of the event / Monica Dall'Asta -- Bazin as modernist / Colin MacCage -- Film and plaster: the mould of history / Jean-Michel Frodon -- From Bazin to Deleuze: a matter of depth / Diane Arnoud -- Deconstruction avant la lettre: Jacques Derrida before André Bazin / Louis-Georges Schwartz -- Aesthetics. Belief in Bazin / Philip Rosen -- The world in its own image: the myth of total cinema / Tom Gunning -- The afterlife of superimposition / Daniel Morgan -- The difference of cinema in the system of the arts / Angel Dalle Vacche -- Malraux, Bazin, and the gesture of Picasso / Dudley Andrew -- Incoherent spasms and the dignity of signs: Bazin's Bresson / Noa Steimatsky -- Animals: an adventure in Bazin's ontology / Seung-hoon Jeong -- Bazin's exquisite corpses / Ivone Margulies -- Rewriting the image: two effects of the future-perfect in André Bazin / Hervé Joubert-Laurencin -- Historical moment. The eloquent image: the postwar mission of film and of criticism / Philip Watts -- Bazin in combat / Antoine de Baecque -- Bazin the censor? / Marc Vernet -- Waves of crisis in French cinema / Jeremi Szaniawski -- Bazin's Chaplin myth and the corrosive lettrists / Rochelle Fack -- Radical ambitions in postwar French documentary / Steven Ungar -- Bazin on the margins of the seventh art / Grant Wiedenfeld -- Television and the auteur in the late '50s / Michael Cramer -- André Bazin's bad taste / James Tweedie -- Worldwide influence. Montage under suspicion: Bazin's Russo-Soviet reception / John MacKay -- Fom ripples to waves: Bazin in Eastern Europe / Alice Lovejoy -- Bazin in Brazil: a welcome visitor / Ismail Xavier -- Bazin and the politics of realism in mainland China / Cecile Lagesse -- Japanese readings: the textual thread / Kan Nozaki -- Japanese lessons: Bazin's cinematic cosmopolitanism / Ryan Cook. 
520 |a With the full range of his voluminous writings finally viewable, Andre Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism. Founder of Cahiers du Cinema, he encouraged the future New Wave directors to confront his telltale question, What is Cinema? This collection considers another vital question, Who is Bazin? In it, 33 renowned film scholars--including de Baecque, Elsaesser, Gunning, and MacCabe--tackle Bazin's meaning. 
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700 1 |a Joubert-Laurencin, Hervé,  |e editor. 
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