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The principles and practice of modal counterpoint /
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Ch. 1. Modes and monophony
- ch. 2. The single line
- ch. 3. Counterpoint during the Middle Ages
- ch. 4. First species in two voices
- ch. 5. First species in three voices
- ch. 6. Counterpoint during the fourteenth century
- ch. 7. Second species in two voices
- ch. 8. Second species in three voices
- ch. 9. Counterpoint during the Renaissance
- ch. 10. Fourth species in two voices
- ch. 11. Fourth species in three voices
- ch. 12. Texture, melody, and meter
- ch. 13. Further aspects of species counterpoint
- ch. 14. The melodic line
- ch. 15. Modal counterpoint in two voices
- ch. 16. Modal counterpoint in three voices
- ch. 17. Modal counterpoint in four or more voices
- ch. 18. The rise of tonality in the seventeenth century.