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The principles and practice of modal counterpoint /
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2011.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Green, Douglass M. |q (Douglass Marshall), |d 1926-1999. | |
| 245 | 1 | 4 | |a The principles and practice of modal counterpoint / |c Douglass M. Green and Evan Jones. |
| 260 | |a New York : |b Routledge, |c 2011. | ||
| 300 | |a 1 online resource (xii, 315 pages) : |b music | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and indexes. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Ch. 1. Modes and monophony -- ch. 2. The single line -- ch. 3. Counterpoint during the Middle Ages -- ch. 4. First species in two voices -- ch. 5. First species in three voices -- ch. 6. Counterpoint during the fourteenth century -- ch. 7. Second species in two voices -- ch. 8. Second species in three voices -- ch. 9. Counterpoint during the Renaissance -- ch. 10. Fourth species in two voices -- ch. 11. Fourth species in three voices -- ch. 12. Texture, melody, and meter -- ch. 13. Further aspects of species counterpoint -- ch. 14. The melodic line -- ch. 15. Modal counterpoint in two voices -- ch. 16. Modal counterpoint in three voices -- ch. 17. Modal counterpoint in four or more voices -- ch. 18. The rise of tonality in the seventeenth century. | |
| 520 | |a Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Counterpoint. | |
| 650 | 6 | |a Contrepoint. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Counterpoint. |2 fast |0 (OCoLC)fst00881333 | |
| 700 | 1 | |a Jones, Evan Allan. | |
| 776 | 0 | 8 | |i Print version: |a Green, Douglass M. (Douglass Marshall), 1926-1999. |t Principles and practice of modal counterpoint. |d New York : Routledge, 2011 |z 9780415878210 |w (DLC) 2010005907 |w (OCoLC)297149207 |
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