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Contemporary women writers look back : from Irony to Nostalgia /

Long before John Barth announced in his famous 1967 essay that late twentieth-century fiction was "The Literature of Exhaustion," authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belated...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ridout, Alice
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Continuum International Pub. Group, 2010.
Colección:Continuum literary studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Contemporary women writers look back :  |b from Irony to Nostalgia /  |c Alice Ridout. 
260 |a London ;  |a New York :  |b Continuum International Pub. Group,  |c 2010. 
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504 |a Includes bibliographical references (pages 165-182) and index. 
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505 0 |a Preface; Acknowledgements; Introduction: Contemporary Women's Re-writing; Chapter 1. The Politics of Parody: Toni Morrison's The Bluest Eye; Chapter 2. 'Some books are not read in the right way': Parody and Reception in Doris Lessing's The Golden Notebook; Chapter 3. Parodic Self-Narratives: Margaret Atwood's Lady Oracle and The Blind Assassin; Chapter 4. Inheritances: Zadie Smith's On Beauty; Chapter 5. The Politics of Nostalgia: Jane Austen Recycled; Afterword: Belatedness; Notes; Bibliography; Index. 
520 |a Long before John Barth announced in his famous 1967 essay that late twentieth-century fiction was "The Literature of Exhaustion," authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belatedness at the end of a long literary tradition. This book traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the twenty-first century. It analyses how contemporary women writers deal with their literary inheritances 
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