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EBSCO_ocn704909855 |
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|a Ridout, Alice.
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|a Contemporary women writers look back :
|b from Irony to Nostalgia /
|c Alice Ridout.
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|a London ;
|a New York :
|b Continuum International Pub. Group,
|c 2010.
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|a 1 online resource (189 pages)
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|a Continuum Literary Studies
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|a Includes bibliographical references (pages 165-182) and index.
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|a Print version record.
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|a Preface; Acknowledgements; Introduction: Contemporary Women's Re-writing; Chapter 1. The Politics of Parody: Toni Morrison's The Bluest Eye; Chapter 2. 'Some books are not read in the right way': Parody and Reception in Doris Lessing's The Golden Notebook; Chapter 3. Parodic Self-Narratives: Margaret Atwood's Lady Oracle and The Blind Assassin; Chapter 4. Inheritances: Zadie Smith's On Beauty; Chapter 5. The Politics of Nostalgia: Jane Austen Recycled; Afterword: Belatedness; Notes; Bibliography; Index.
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|a Long before John Barth announced in his famous 1967 essay that late twentieth-century fiction was "The Literature of Exhaustion," authors have been retelling and recycling stories. Barth was, however, right to identify in postmodern fiction a particular self-consciousness about its belatedness at the end of a long literary tradition. This book traces the move in contemporary women's writing from the self-conscious, ironic parodies of postmodernism to the nostalgic and historical turn of the twenty-first century. It analyses how contemporary women writers deal with their literary inheritances
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|a Authorship.
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|a Women authors.
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|a Women and literature.
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|a Art d'écrire.
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|a Écrivaines.
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|a Femmes et littérature.
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|a LITERARY CRITICISM
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|i Print version:
|t Contemporary Women Writers Look Back.
|d Continuum Intl Pub Group 2011
|z 9781441147448
|w (OCoLC)657602612
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830 |
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|a Continuum literary studies.
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