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EBSCO_ocn701051484 |
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|a UAMI
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|a Classics and comics /
|c edited by George Kovacs and C.W. Marshall.
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260 |
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|a Oxford [U.K.] ;
|a New York :
|b Oxford University Press,
|c 2011.
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300 |
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|a 1 online resource (xiii, 265 pages) :
|b illustrations
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|a text
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|a computer
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|a online resource
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|a Classical presences
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|a Includes bibliographical references and index.
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|a Comics and classics: establishing a critical frame / George Kovacs -- An ancient Greek graphic novel (p. oxy. xxii 2331) / Gideon Nisbet -- Sequential narrative in the shield of Achilles / Kyle P. Johnson -- Declassicizing the classical in Japanese comics: Osamu Tezuka's Apollo's song / Nicholas A. Theisen -- Heroes unlimited: the theory of the hero's journey and the limitation of the superhero myth / Brett M. Rogers -- The furies, Wonder Woman, and dream: mythmaking in DC comics / C.W. Marshall -- Coming up to code: ancient divinities revisited / Craig Dethloff -- The burden of war: from Homer to Oeming / R. Clinton Simms -- 'Seven thunders utter their voices': morality and comics history in kingdom come / Benjamin Stevens -- Hard-boiled hot gates: making the classical past other in Frank Miller's Sin City / Vincent Tomasso -- Persians in Frank Miller's 300 and Greek vase painting / Emily Fairey -- A dream of Augustus: Neil Gaiman's Sandman and comics mythology / Anise K. Strong -- Francophone Romes: antiquity in Les bandes dessinées / Martin T. Dinter -- Twenty-first century Troy / Eric Shanower -- Eros conquers all : sex and love in Eric Shanower's Age of bronze / Chiara Sulprizio -- Heavy metal Homer: countercultural appropriations of The Odyssey in graphic novels / Thomas E. Jenkins -- A reading list of classics in comics.
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|a Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture. Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature.
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588 |
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|a Print version record.
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650 |
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|a Comic books, strips, etc.
|z United States
|x History and criticism.
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650 |
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|a Classical literature
|x Influence.
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650 |
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|a Littérature ancienne
|x Influence.
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650 |
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|a HUMOR
|x General.
|2 bisacsh
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|a Classical literature
|x Influence.
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|a Comic books, strips, etc.
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|0 (OCoLC)fst00869145
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651 |
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655 |
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|a Electronic books.
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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700 |
1 |
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|a Kovacs, George.
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700 |
1 |
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|a Marshall, C. W.,
|d 1968-
|
776 |
0 |
8 |
|i Print version:
|t Classics and comics.
|d Oxford [U.K.] ; New York : Oxford University Press, 2011
|z 9780199734184
|w (DLC) 2009053931
|w (OCoLC)495996802
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|a Classical presences.
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