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Ezra Pound in context /
"Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2010.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Ezra Pound in context / |c edited by Ira B. Nadel. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2010. | ||
| 300 | |a 1 online resource (xxxi, 497 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 478-482) and index. | ||
| 520 | |a "Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism"-- |c Provided by publisher | ||
| 520 | |a "Most of the stuff I write does not pretend to make itself intelligible to anyone who has not done a certain quite large amount of reading.1 Ezra Pound, who published his first poem in 1902 and his last in 1969, understood the necessity of context. The range, volume, and arcane nature of his material, as impressive as it was immense, required background which he expected of his readers. Initially, this meant knowledge of the Provencıal poets, Dante, Confucius, and a healthy dose of Greek and Latin, as well as Chinese and American history. As editor, translator, anthologist, essayist, and poet, he anticipated that his readers would understand as well the sources, allusions, and origins of his work. The complex of materials was part of being modern"-- |c Provided by publisher | ||
| 505 | 0 | |a Cover -- Half-title -- Title -- Copyright -- Contents -- Notes on contributors -- Acknowledgements -- Chronology -- Abbreviations and note on references to The Cantos -- Introduction -- NOTES -- PART I: Biography and works -- chapter 1 Prose criticism -- NOTES -- chapter 2 Poetics -- THE LUMINOUS DETAILS OF A NEW POETICS -- THE MASK, THE IMAGE, THE REAL -- IN A STATION OF THE METRO -- DECREATION AND THE CANTOS -- NOTES -- chapter 3 Translation -- NOTES -- chapter 4 Romance languages -- ROMANCE LANGUAGES AND EZRA POUNDS UNIVERSITY EDUCATION -- ROMANCE PHILOLOGY AND EZRA POUNDS LINGUISTIC COMPETENCE -- ROMANCE LANGUAGES AS VEHICLES OF DISCOVERY -- THE SPIRIT OF ROMANCE -- ROMANCE LANGUAGES AND EZRA POUNDS POETIC DEVELOPMENT -- NOTES -- chapter 5 Letters -- NOTES -- chapter 6 Editor, anthologist -- ANTHOLOGIES AT THE SEAM OF TRADITIONS -- ANTHOLOGIES TOWARD THE MAINSTREAM -- NOTES -- chapter 7 Education -- NOTES -- chapter 8 Journalism -- NOTES -- chapter 9 Politics -- NOTES -- chapter 10 Economics -- NOTES -- chapter 11 Radio broadcasts -- NOTES -- chapter 12 Law -- PASSPORTS -- BOOK TARIFFS -- COPYRIGHT LAWS -- OBSCENITY LAWS -- NOTES -- chapter 13 Textual criticism -- INTRODUCTION -- POUNDS TEXTS -- THE CANTOS -- CONCLUSION -- NOTES -- chapter 14 Archives -- ARNAUT, FAIDIT, AND THE AMBROSIANA: AURAL PATTERNS (8220;LUMINOUS DETAILS8221;) -- CAVALCANTI (PALAEOGRAPHIC PHILOLOGY) -- EARLY AND SIENESE CANTOS (8220;FACTS, ORIGINAL DOCUMENTS8221;) -- NOTES -- chapter 15 The Lives of Pound -- NOTES -- PART II: Historical and cultural context -- chapter 16 The classics -- POUNDS CLASSICAL EDUCATION -- POUND, THE CLASSICS AND COMPARATIVE LITERATURE -- POUND AND GREEK POETRY -- POUND AND ROMAN POETRY -- CLASSICAL PROSE AND TRANSLATIONS -- NOTES -- chapter 17 Provencal and the troubadours -- NOTES -- chapter 18 Dante and early Italian poetry -- POUNDS MEDIEVALISM -- GUINIZELLI AND CAVALCANTI -- NOTES -- chapter 19 America -- AMERICAN FRONTIER: BIRTH IN HAILEY, IDAHO -- CRADLE OF AMERICAN LIBERTY: BOYHOOD IN PHILADELPHIA -- GENIUS REJECTED BY THE UNIVERSITY OF PENNSYLVANIA -- INVOLUNTARY EXILE AND CREATING AN AMERICAN RENAISSANCE IN LONDON AND PARIS -- UNEASY EXILE OF IL POETA AMERICANO: JEFFERSON AND/OR MUSSOLINI AND JOHN ADAMS -- ECONOMIC DURESS. BITTERSWEET REPATRIATION. AMERICAN JUSTICE. 8220;NO CHIH3.8221; -- NOTES -- chapter 20 Venice -- THE SAN TROVASO SKETCHBOOK -- VENICE AND THE CANTOS -- NOTES -- chapter 21 London -- NOTES -- chapter 22 Paris -- WHY PARIS? -- NOTES -- chapter 23 Rapallo and Rome -- RAPALLO AND THE OCCASIONS OF THE CANTOS -- THE EXILE: CAVALCANTI AND YEATS -- 8220;TUSCAN8221; AESTHETICS AND POLITICS -- THE EZUVERSITY -- JOURNEYS TO ROME -- NOTES -- chapter 24 Pisa -- INTRODUCTION: TOWARD THE PISAN CANTOS -- PARADISO -- THE WAR -- ITALIAN DRAFTS -- IN THE CAMP -- NOTES -- chapter 25 Imagism -- REALITY OF FIGURE -- IN THE IMAGE OF 8220;METRO8221; -- NOTES -- chapter 26 Vorticism -- NOTES -- chapter 27 Music -- MOTZ EL SON. | |
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