|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
EBSCO_ocn695028652 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
110105s2010 nyu ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d YDXCP
|d E7B
|d EBLCP
|d OCLCQ
|d MHW
|d TUU
|d OCLCQ
|d OCLCF
|d OCLCQ
|d AZU
|d NLE
|d OCLCQ
|d AGLDB
|d PIFAG
|d OCLCQ
|d WY@
|d STF
|d VTS
|d TOF
|d OCLCQ
|d YOU
|d CHRRO
|d DKC
|d OCLCQ
|d M8D
|d OCLCQ
|d AJS
|d OCLCQ
|d OCLCO
|d IOY
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 717333942
|a 748779932
|
020 |
|
|
|a 9780199709731
|q (electronic bk.)
|
020 |
|
|
|a 0199709734
|q (electronic bk.)
|
020 |
|
|
|z 9780195368109
|
020 |
|
|
|z 019536810X
|
020 |
|
|
|z 9780195368116
|
020 |
|
|
|z 0195368118
|
024 |
8 |
|
|a 9786612945045
|
029 |
1 |
|
|a AU@
|b 000048636530
|
029 |
1 |
|
|a CHRRO
|b R005938674
|
029 |
1 |
|
|a DEBBG
|b BV043138215
|
029 |
1 |
|
|a DEBSZ
|b 421650621
|
035 |
|
|
|a (OCoLC)695028652
|z (OCoLC)717333942
|z (OCoLC)748779932
|
043 |
|
|
|a n-us---
|
050 |
|
4 |
|a TR886.3
|b .F75 2010eb
|
072 |
|
7 |
|a PHO
|x 022000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 057000
|2 bisacsh
|
072 |
|
7 |
|a s1ba
|2 rero
|
082 |
0 |
4 |
|a 778.5/8
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Frick, Caroline.
|
245 |
1 |
0 |
|a Saving cinema :
|b the politics of preservation /
|c Caroline Frick.
|
260 |
|
|
|a New York :
|b Oxford University Press,
|c 2010.
|
300 |
|
|
|a 1 online resource (xiii, 215 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a The politics of preservation -- Defining the national : rationales for "American" film preservation -- Justifying the national : the "American" film heritage movement -- Defending the national : international discourse and global film heritage -- Challenging the national : towards a more inclusive film heritage -- The plurality of preservation.
|
520 |
|
|
|a The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Motion picture film
|x Preservation.
|
650 |
|
0 |
|a Motion picture film
|x Preservation
|z United States.
|
650 |
|
0 |
|a Motion picture film collections
|z United States
|x Archival resources.
|
650 |
|
6 |
|a Films (Pellicules cinématographiques)
|x Conservation.
|
650 |
|
6 |
|a Films (Pellicules cinématographiques)
|x Conservation
|z États-Unis.
|
650 |
|
6 |
|a Cinémathèques
|x Fonds d'archives
|z États-Unis.
|
650 |
|
7 |
|a PHOTOGRAPHY
|x Techniques
|x Cinematography & Videography.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
|
7 |
|a Motion picture film collections
|x Archival resources
|2 fast
|
650 |
|
7 |
|a Motion picture film
|x Preservation
|2 fast
|
651 |
|
7 |
|a United States
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Frick, Caroline.
|t Saving cinema.
|d New York : Oxford University Press, 2010
|z 9780195368109
|w (DLC) 2010026797
|w (OCoLC)647976645
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=349545
|z Texto completo
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL631631
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10437714
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 349545
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 3587494
|
994 |
|
|
|a 92
|b IZTAP
|