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|a Renaissance? :
|b perceptions of continuity and discontinuity in Europe, c.1300-c.1550 /
|c edited by Alexander Lee, Pit Péporté, Harry Schnitker.
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|a Leiden ;
|a Boston :
|b Brill,
|c 2010.
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|a 1 online resource (370 pages)
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|a Includes bibliographical references and index.
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|a pt. 1. The Renaissance and the classical tradition -- Introduction: Veteris vestigia flammae? : the "rebirths" of antiquity / Luke Houghton -- The Renaissance and the Middle Ages : chronologies, ideologies, geographies / Robert Black -- Shakespeare and the "tragedy" of the Renaissance / Robin Kirkpatrick -- "Humanitas Renata" / Robin Sowerby -- Machiavelli's appreciation of Greek antiquity and the ideal of "Renaissance" / George Steiris -- pt. 2. The Renaissance and the arts -- Introduction: Seeing is believing? : the Renaissance and the arts / Alexander Lee -- Vasari's Rinascita : history, anthropology, or art criticism? / Matteo Burioni -- The state of the art / Rob C. Wegman -- Brunelleschi's perspective panels : rupture and continuity in the history of the image / Johannes Grave -- Panofsky : linear perspective and perspectives of modernity / Rhys W. Roark -- Michelangelo's mythologies / Maria Ruvoldt -- The Byzantine influence on the introduction of the third dimension and the formation of Renaissance art / Diotima Liantini -- pt. 3. A wider Renaissance? -- Introduction: A wider Renaissance? / Alexander Lee -- Northern Renaissance? : Burgundy and Netherlandish art in fifteenth-century Europe / Hanno Wijsman -- Forgotten paths to "another" Renaissance : Prague and Bohemia, c.1400 / Klara Benesovska -- A new world of the mind? : Renaissance self-perception and the invention of printing / Andrew Pettegree -- The "invention" of Durer as a Renaissance artist / Jeffrey Chipps Smith -- Notes on the history of Renaissance scholarship in Central Europe : Bialostocki, Schlosser, and Panofsky / Ingrid Ciulisova.
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|a Print version record.
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|a At least since the publication of Burckhardt's seminal study, the Renaissance has commonly been understood in terms of discontinuities. Seen as a radical departure from the intellectual and cultural norms of the 'Middle Ages', it has often been associated with the revival of classical Antiquity and the transformation of the arts, and has been viewed primarily as an Italian phenomenon. In keeping with recent revisionist trends, however, the essays in this volume explore moments of profound intellectual, artistic, and geographical continuity which challenge preconceptions of the Renaissance. Exa.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Renaissance.
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|a Continuity
|x Social aspects
|z Europe
|x History.
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|a Perception
|x Social aspects
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|a Europe
|x Civilization
|x Classical influences.
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|a Europe
|x Intellectual life.
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|a Arts, Renaissance.
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|a Europe
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|a Renaissance.
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|a Continuité
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|a Europe
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|a Arts de la Renaissance.
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|a Europe
|x Géographie.
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|a Europe
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|a Renaissance.
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|a HISTORY
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|a Intellectual life
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|a Renaissance.
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|a Discontinuïteit.
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|a Lee, Alexander.
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|a Péporté, Pit.
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|a Schnitker, Harry.
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|i Print version:
|t Renaissance?
|d Leiden ; Boston : Brill, 2010
|z 9789004183346
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|a European History and Culture E-Books Online, Collection 2010, ISBN: 9789004222861.
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