Intonations : a social history of music and nation in Luanda, Angola, from 1945 to recent times /

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Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan mus...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Moorman, Marissa Jean
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens, Ohio : Ohio University Press, ©2008.
Colección:New African histories series.
Temas:
1961-2002
Geschichte 1945-1990.
Music > Social aspects > Angola > Luanda (Luanda)
Music > Political aspects > Angola.
Nationalism in music.
Musique > Aspect politique > Angola.
Nationalisme dans la musique.
Angola.
popular music.
musicians.
nationalism.
social history.
1950-1999.
POLITICAL SCIENCE > Public Policy > Cultural Policy.
SOCIAL SCIENCE > Anthropology > Cultural.
SOCIAL SCIENCE > Popular Culture.
Music and war
Music > Political aspects
Music > Social aspects
Nationalism in music
Musik
Musikleben
Angola > History > Revolution, 1961-1975 > Music and the revolution.
Angola > History > Civil War, 1975-2002 > Music and the war.
Angola
Angola > Luanda (Luanda)
Luanda
Angola > Bürgerkrieg.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Musseques and urban culture
  • In the days of bota fogo: culture and the early nationalist struggle, 1947-61
  • Dueling bands and good girls: gender and music in Luanda's musseques,1961-75
  • Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74
  • Radios, turntables, and vinyl: technology and the imagined community, 1961-75
  • The hiatus: music, dissent, and nation building after independence, 1975-90s.

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