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Intonations : a social history of music and nation in Luanda, Angola, from 1945 to recent times /
Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan mus...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Athens, Ohio :
Ohio University Press,
©2008.
|
| Colección: | New African histories series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Moorman, Marissa Jean. | |
| 245 | 1 | 0 | |a Intonations : |b a social history of music and nation in Luanda, Angola, from 1945 to recent times / |c Marissa J. Moorman. |
| 260 | |a Athens, Ohio : |b Ohio University Press, |c ©2008. | ||
| 300 | |a 1 online resource (xxv, 290 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a New African histories series | |
| 504 | |a Includes bibliographical references (pages 255-273) and index. | ||
| 505 | 0 | |a Musseques and urban culture -- In the days of bota fogo: culture and the early nationalist struggle, 1947-61 -- Dueling bands and good girls: gender and music in Luanda's musseques,1961-75 -- Ngongo jami (my suffering): lyrics, daily life, and social space, 1956-74 -- Radios, turntables, and vinyl: technology and the imagined community, 1961-75 -- The hiatus: music, dissent, and nation building after independence, 1975-90s. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Intonations tells the story of how Angola's urban residents in the late colonial period (roughly 1945-74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics. She argues that it was in and through popular urban music, produced mainly in the musseques (urban shantytowns) of the capital city, Luanda, that Angolans for. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |x Social aspects |z Angola |z Luanda (Luanda) | |
| 650 | 0 | |a Music |x Political aspects |z Angola. | |
| 650 | 0 | |a Nationalism in music. | |
| 651 | 0 | |a Angola |x History |y Revolution, 1961-1975 |x Music and the revolution. | |
| 651 | 0 | |a Angola |x History |y Civil War, 1975-2002 |x Music and the war. | |
| 650 | 6 | |a Musique |x Aspect politique |z Angola. | |
| 650 | 6 | |a Nationalisme dans la musique. | |
| 650 | 7 | |a Angola. |2 ascl |0 (NL-LeOCL)294898395 | |
| 650 | 7 | |a popular music. |2 ascl |0 (NL-LeOCL)294932682 | |
| 650 | 7 | |a musicians. |2 ascl |0 (NL-LeOCL)294926887 | |
| 650 | 7 | |a nationalism. |2 ascl |0 (NL-LeOCL)29492762X | |
| 650 | 7 | |a social history. |2 ascl |0 (NL-LeOCL)294937889 | |
| 650 | 7 | |a 1950-1999. |2 ascl |0 (NL-LeOCL)294956727 | |
| 650 | 7 | |a POLITICAL SCIENCE |x Public Policy |x Cultural Policy. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x Cultural. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a Music and war |2 fast | |
| 650 | 7 | |a Music |x Political aspects |2 fast | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Nationalism in music |2 fast | |
| 651 | 7 | |a Angola |2 fast | |
| 651 | 7 | |a Angola |z Luanda (Luanda) |2 fast | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Musikleben |2 gnd | |
| 651 | 7 | |a Luanda |2 gnd | |
| 651 | 7 | |a Angola |2 gnd | |
| 651 | 7 | |a Angola |x Bürgerkrieg. |2 swd | |
| 647 | 7 | |a Revolution |c (Angola : |d 1961-1975) |2 fast |0 (OCoLC)fst01354462 | |
| 647 | 7 | |a Angolan Civil War |c (Angola : |d 1975-2002) |2 fast |0 (OCoLC)fst01352294 | |
| 648 | 7 | |a 1961-2002 |2 fast | |
| 648 | 7 | |a Geschichte 1945-1990. |2 swd | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Moorman, Marissa Jean. |t Intonations. |d Athens, Ohio : Ohio University Press, ©2008 |w (DLC) 2008026805 |w (OCoLC)230198761 |
| 830 | 0 | |a New African histories series. | |
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