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|a Witmore, Michael.
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|a Shakespearean metaphysics /
|c Michael Witmore.
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|a London ;
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|b Continuum,
|c ©2008.
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|a 1 online resource (xi, 143 pages)
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|a Shakespeare now!
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|a Includes bibliographical references (pages 127-129) and index.
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|a This new approach to Shakespeare's plays suggests they can be seen as metaphysical 'experiments' conducted in the medium of drama. It engages readers with lively discussion of three 'difficult' metaphysical thinkers - Spinoza, Bergson and Whitehead - through 'The Tempest', 'King Lear' and 'Twelfth Night'.
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|a Shakespearean metaphysics and the drama of immanence -- Whitehead and the final satisfaction of Twelfth Night -- Lear's intensity, Bergson's divided kingdom -- Spinoza and The Tempest : an island of one.
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|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
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|a Metaphysics in literature.
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|a Métaphysique dans la littérature.
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|a DRAMA
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|i Print version:
|a Witmore, Michael.
|t Shakespearean metaphysics.
|d London ; New York : Continuum, ©2008
|z 9780826490445
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