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John Dahl and neo-noir : examining auteurism and genre /

In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). Subsequent to their releases, these thre...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Monaco, Paul
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham, Md. : Lexington Books, c2010.
Colección:Genre film auteurs.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a John Dahl and neo-noir :  |b examining auteurism and genre /  |c Paul Monaco. 
260 |a Lanham, Md. :  |b Lexington Books,  |c c2010. 
300 |a 1 online resource (xiii, 145 p.). 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Auteurism -- Noir and neo-noir -- Kill me again -- Red Rock West -- The last seduction -- Conclusion. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
520 |a In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994). Subsequent to their releases, these three films became identified in academic film criticism as neo-noir, and Dahl was labeled a "noir-meister" who made "a cottage industry of neo-noir." The importance of these three films, and Monaco's investigation of them, is how they illuminate a modern director's creative process in relation to an e 
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