The public mirror : Molière and the social commerce of depiction /
Though much beloved and widely produced, Molière's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Molière...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Chicago :
University of Chicago Press,
1999.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: pt. 1 Creation
- 1. Uranie and the "General Thesis"
- 2. "Moliere Author!"
- 3. Portrait
- a Second Person
- 4. Social Commerce of Representation
- 5. Playwrighting and Politeness
- 6. Moliere the Spy and Zelinde
- pt. 2 Recognition
- 7. Precious Recognitions
- 8. Illusion and Reflexivity
- 9. Second Comedy
- 10. Represented Respond
- pt. 3 Dramaturgy
- 11. From Arnolphe to Alceste
- 12. Satire and Dramatic Form
- 13. Is Celimene Moliere? Is La Fleche?
- 14. Staging Social Commerce.