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The public mirror : Molière and the social commerce of depiction /
Though much beloved and widely produced, Molière's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Molière...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
1999.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Norman, Larry F. | |
| 245 | 1 | 4 | |a The public mirror : |b Molière and the social commerce of depiction / |c Larry F. Norman. |
| 260 | |a Chicago : |b University of Chicago Press, |c 1999. | ||
| 300 | |a 1 online resource (vii, 226 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 211-221) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g Machine generated contents note: |g pt. 1 |t Creation -- |g 1. |t Uranie and the "General Thesis" -- |g 2. |t "Moliere Author!" -- |g 3. |t Portrait -- a Second Person -- |g 4. |t Social Commerce of Representation -- |g 5. |t Playwrighting and Politeness -- |g 6. |t Moliere the Spy and Zelinde -- |g pt. 2 |t Recognition -- |g 7. |t Precious Recognitions -- |g 8. |t Illusion and Reflexivity -- |g 9. |t Second Comedy -- |g 10. |t Represented Respond -- |g pt. 3 |t Dramaturgy -- |g 11. |t From Arnolphe to Alceste -- |g 12. |t Satire and Dramatic Form -- |g 13. |t Is Celimene Moliere? Is La Fleche? -- |g 14. |t Staging Social Commerce. |
| 520 | |a Though much beloved and widely produced, Molière's satirical comedies pose a problem for those reading or staging his works today: how can a genre associated with biting caricature and castigation deliver engaging theater? Instead of simply dismissing social satire as a foundation for Molière's theater, as many have done, Larry F. Norman takes seriously Molière's claim that his satires are first and foremost effective theater. Pairing close readings of Molière's comedies with insightful accounts of French social history and aesthetics, Norman shows how Molière conceived of satire a. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Molière, |d 1622-1673 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Molière, |d 1622-1673 |x Critique et interprétation. |
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| 600 | 0 | 7 | |a Molière. |2 swd |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Norman, Larry F. |t Public mirror. |d Chicago : University of Chicago Press, 1999 |z 9780226591513 |w (DLC) 99032926 |w (OCoLC)41338210 |
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