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Modernism, the market and the institution of the new /
"Modernism remains deeply connected to ideas of innovation, and this has created problems for successive generations of writers. For example, how does one create an original work when the 'new' has already been established, marketed and institutionalised? Rod Rosenquist's study f...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2009.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Rosenquist, Rod, |d 1974- | |
| 245 | 1 | 0 | |a Modernism, the market and the institution of the new / |c Rod Rosenquist. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2009. | ||
| 300 | |a 1 online resource (ix, 210 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 185-205) and index. | ||
| 505 | 0 | |a Introduction: the modernist latecomer and 'permanent novelty' -- 'Changing the changing': Wyndham Lewis and the new modernist ascendancy -- Laura Riding, modernist fashion and the individual talent -- The immolation of the artist: Henry Miller and the 'hot-house geniuses' -- Investing in the modernist legacy: objectivist adventures in the 'Pound tradition' -- The last word: or how to bring modernism to an end. | |
| 588 | 0 | |a Print version record. | |
| 520 | 1 | |a "Modernism remains deeply connected to ideas of innovation, and this has created problems for successive generations of writers. For example, how does one create an original work when the 'new' has already been established, marketed and institutionalised? Rod Rosenquist's study focuses on the writers and poets who emerged after Modernism's high-water mark year of 1922, in which Ulysses, The Waste Land and the early Cantos were published. Seeking to refine our own understanding of the high modernists through the frequent difficulties encountered by the generation that succeeded them, this study discusses issues of cultural value, the relationship of history to innovation, and the market for new works in an era already dominated by the likes of James Joyce, T.S. Eliot and Ezra Pound. Containing illuminating examinations of Wyndham Lewis, Laura Riding and Henry Miller, this study will be invaluable reading for those interested in Modernism and its complicated legacy."--Jacket. | |
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| 650 | 0 | |a English literature |y 20th century |x History and criticism. | |
| 650 | 0 | |a Modernism (Literature) |z English-speaking countries. | |
| 650 | 0 | |a American literature |y 20th century |x History and criticism. | |
| 650 | 6 | |a Littérature anglaise |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Modernisme (Littérature) |z Anglophonie. | |
| 650 | 6 | |a Littérature américaine |y 20e siècle |x Histoire et critique. | |
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| 650 | 7 | |a English literature. |2 fast |0 (OCoLC)fst00911989 | |
| 650 | 7 | |a Modernism (Literature) |2 fast |0 (OCoLC)fst01024455 | |
| 651 | 7 | |a English-speaking countries. |2 fast |0 (OCoLC)fst01261775 | |
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| 776 | 0 | 8 | |i Print version: |a Rosenquist, Rod, 1974- |t Modernism, the market and the institution of the new. |d Cambridge ; New York : Cambridge University Press, 2009 |w (DLC) 2008033469 |
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