When Opera Meets Film.

"Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Citron, Marcia J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, ©2010.
Colección:Cambridge studies in opera.
Temas:
Motion pictures and opera.
Opera in motion pictures.
Musical films > History and criticism.
Cinéma et opéra.
Opéra au cinéma.
Films musicaux > Histoire et critique.
MUSIC > Reference.
MUSIC > Genres & Styles > Classical.
Musical films.
Oper
Musikfilm
Film
Opera > influenser.
Opera i filmen.
Musikfilm > historia.
Filmestetik.
Opera på film.
Musikfilm.
Electronic books.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Part I. Style
  • 1. Operatic style in Coppola's Godfather trilogy
  • 2. Opera as fragment : 'Liebestod' and 'Nessun dorma' in Aria
  • Part II. Subjectivity
  • 3. Subjectivity in the opera-films of Jean-Pierre Ponelle
  • 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie
  • Part III. Desire
  • 5. 'An honest contrivance': opera and desire in Moonstruck
  • 6. The sound of desire : Così's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer.

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