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When Opera Meets Film.
"Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
©2010.
|
| Colección: | Cambridge studies in opera.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Citron, Marcia J. | |
| 245 | 1 | 0 | |a When Opera Meets Film. |
| 260 | |a Cambridge ; |a New York : |b Cambridge University Press, |c ©2010. | ||
| 300 | |a 1 online resource (xviii, 324 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Cambridge studies in opera | |
| 520 | |a "Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Ceremonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references (pages 296-311) and index. | ||
| 504 | |a Includes filmography (pages 312-314). | ||
| 505 | 0 | |a Part I. Style -- 1. Operatic style in Coppola's Godfather trilogy -- 2. Opera as fragment : 'Liebestod' and 'Nessun dorma' in Aria -- Part II. Subjectivity -- 3. Subjectivity in the opera-films of Jean-Pierre Ponelle -- 4. Don Giovanni and subjectivity in Claude Chabrol's La Ceremonie -- Part III. Desire -- 5. 'An honest contrivance': opera and desire in Moonstruck -- 6. The sound of desire : Così's 'Soave sia il vento' in Sunday, Bloody Sunday and Closer. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion pictures and opera. | |
| 650 | 0 | |a Opera in motion pictures. | |
| 650 | 0 | |a Musical films |x History and criticism. | |
| 650 | 6 | |a Cinéma et opéra. | |
| 650 | 6 | |a Opéra au cinéma. | |
| 650 | 6 | |a Films musicaux |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a Motion pictures and opera. |2 fast |0 (OCoLC)fst01027417 | |
| 650 | 7 | |a Musical films. |2 fast |0 (OCoLC)fst01030715 | |
| 650 | 7 | |a Opera in motion pictures. |2 fast |0 (OCoLC)fst01046179 | |
| 650 | 7 | |a Oper |2 gnd | |
| 650 | 7 | |a Musikfilm |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Cinéma et opéra. |2 ram | |
| 650 | 7 | |a Films musicaux |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Opera |x influenser. |2 sao | |
| 650 | 7 | |a Opera i filmen. |2 sao | |
| 650 | 7 | |a Musikfilm |x historia. |2 sao | |
| 650 | 7 | |a Filmestetik. |2 sao | |
| 650 | 7 | |a Opera på film. |2 sfit | |
| 650 | 7 | |a Musikfilm. |2 sfit | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Citron, Marcia J. |t When opera meets film. |d Cambridge ; New York : Cambridge University Press, 2010 |z 9780521895750 |w (DLC) 2010008750 |w (OCoLC)496958741 |
| 830 | 0 | |a Cambridge studies in opera. | |
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