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|a Hjort, Mette.
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|a Stanley Kwan's center stage /
|c Mette Hjort.
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|a Center stage
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|a Hong Kong :
|b Hong Kong University Press,
|c 2006.
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|a 1 online resource (xiv, 144 pages) :
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|a New Hong Kong cinema series
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|a Includes bibliographical references (pages 129-135) and index.
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|a Print version record.
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|a Series Preface; Acknowledgements; 1 -- On Method, Production, and Reception; 2 -- Film Style; 3 -- Relevance and Meaning; Notes; Awards and Nominations; Stanley Kwan's Filmography; Bibliography; Index.
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|a Electronic reproduction.
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|c HathiTrust Digital Library,
|d 2010.
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
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|a Hjort argues that Stanley Kwan's contribution in Center Stage is to develop an approach to nonfiction filmmaking that is realist without being naïve. The value of the film's reflexive dimension, Hjort shows, has nothing to do with poststructuralist skepticism but with the compelling manifestation of a communicative model that serves as an alternative to hierarchical and authoritarian modes of social organization.
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Kwan, Stanley,
|d 1957-
|x Criticism and interpretation.
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|a Motion picture producers and directors
|z China
|z Hong Kong.
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|
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|a Producteurs et réalisateurs de cinéma
|z Chine
|z Hongkong.
|
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|
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|a PERFORMING ARTS
|x Film & Video
|x Reference.
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|i Print version:
|a Hjort, Mette.
|t Stanley Kwan's center stage.
|d Hong Kong : Hong Kong University Press, 2006
|z 9789622097919
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