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King Richard III /

Richard III belongs to Shakespeare's folio of King Richard plays, and is the longest of his plays after Hamlet. It is classified variously as a tragedy and a history, showing the reign of Richard III in an unflattering light. The play's length springs in part from its reference to the othe...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Shakespeare, William, 1564-1616
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Auckland, N.Z.] : Floating Press, Ã2008.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Title; Contents; Persons Represented; ACT I; Scene I. London. A Street; Scene II. London. Another Street; Scene III. London. A Room in the Palace; Scene IV. London. A Room in the Tower; ACT II; Scene I. London. A Room in the Palace; Scene II. Another Room in the Palace; Scene III. London. A Street; Scene IV. London. A Room in the Palace; ACT III; Scene I. London. A Street; Scene II. Before Lord Hasting's House; Scene III. Pomfret. Before the Castle; Scene IV. London. A Room in the Tower; Scene V. London. The Tower Walls; Scene VI. London. A Street; Scene VII. London. Court of Baynard's Castle. 
505 8 |a ACT IVScene I. London. Before the Tower; Scene II. London. A Room of State in the Palace; Scene III. London. Another Room in the Palace; Scene IV. London. Before the Palace; Scene V.A Room in Lord Stanley's House; ACT V; Scene I. Salisbury. An Open Place; Scene II. Plain Near Tamworth; Scene III. Bosworth Field; Scene IV. Another Part of the Field; Scene V. Another Part of the Field. 
520 |a Richard III belongs to Shakespeare's folio of King Richard plays, and is the longest of his plays after Hamlet. It is classified variously as a tragedy and a history, showing the reign of Richard III in an unflattering light. The play's length springs in part from its reference to the other Richard plays, with which Shakespeare assumed his audience would be familiar. These references and characters are often edited out to create an abridged version when the play is performed for modern audiences. 
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