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|a Political performances :
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|a 1 online resource (379 pages) :
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|a Themes in theatre ;
|v 4
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|a Includes bibliographical references.
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|a Political Performances: Theory and Practice emerges from the work of the Political Performances Working Group of the International Federation for Theatre Research/Fédération Internationale pour la Recherche de Théâtrale. The collection of essays strives to interrogate definitions and expand boundaries of political performance.
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|a TABLE OF CONTENTS; MAPPING POLITICAL PERFORMANCES: A NOTE ON THE STRUCTURE OF THE ANTHOLOGY; INTRODUCTION; PART ONE: QUERIES; WITNESSES IN THE PUBLIC SPHERE: BLOODY SUNDAY AND THE REDEFINITION OF POLITICAL THEATRE; ORALITY AND THE ETHICS OF OWNERSHIP IN COMMUNITY-BASED DRAMA; THE THÉÂTRE DU SOLEIL'S TRAJECTORY FROM "PEOPLE'S THEATRE" TO "CITIZEN THEATRE:" INVOLVEMENT OR RENUNCIATION?; WAYS OF UNSEEING: GLASS WALL ON THE MAIN STAGE; TO ABSENT FRIENDS: ETHICS IN THE FIELD OF AUTO/BIOGRAPHY; PART TWO: TEXTS; READING THE BLACKS THROUGH THE 1956 PREFACE: POLITICS AND BETRAYAL
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|a BARBARIANS AND BABES: A FEMINIST CRITIQUE OF A POSTCOLONIAL PERSIANSPERFORMING STEREOTYPES AT HOME AND ABROAD; THE COMEBACK OF POLITICAL DRAMA IN CROATIA: OR HOW TO KILL A PRESIDENT BY MIRO GAVRAN; LOCAL KNOWLEDGES, MEMORIES, AND COMMUNITY: FROM ORAL HISTORY TO PERFORMANCE; PART THREE: CONTEXTS; MODALITIES OF ISRAELI POLITICAL THEATRE: PLONTER, ARNA'S CHILDREN, AND THE RUTH KANNER GROUP; DOCUMENTING THE INVISIBLE: DRAMATIZING THE ALGERIAN CIVIL WAR OF THE 1990S; THE EROTIC POLITICS OF CRITICAL TITS: EXHIBITIONISM OR FEMINIST STATEMENT?
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|a THE GÜEGÜENCE EFFECT: THE NATIONAL CHARACTER AND THE NICARAGUAN POLITICAL PROCESSPART FOUR: PRACTICE; DO THE ENDS JUSTIFY THE MEANS? CONSIDERING HOMELESS LIVES AS PROPAGANDA AND PRODUCT; THE BIRABAHN/THRELKELD PROJECT: PLACE, HISTORY, MEMORY, PERFORMANCE, AND COEXISTENCE; NON-NATURALISTIC PERFORMANCE IN POLITICAL NARRATIVE DRAMA: METHODOLOGIES AND LANGUAGES FOR POLITICAL PERFORMANCE WITH REFERENCE TO THE REHEARSAL AND PRODUCTION OF E TO THE POWER 3-EDUCATION, EDUCATION; GAY MUSLIMS AND SALTY MEAT PIES: THE LIMITS OF PERFORMING COMMUNITY; ABOUT THE CONTRIBUTORS
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|a Haedicke, Susan C.
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|a Themes in theatre ;
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