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Christopher Marlowe the craftsman : lives, stage and page /
Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a ""sculptor-poet."" Throughout the body of his work-including not only the poems and plays, but also his forays into translation...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, VT :
Ashgate,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Contents; List of Contributors; Acknowledgments; IntroductionChristopher Marlowe the Craftsman:Lives, Stage, and Page; Part 1 Lives:Scholarship and Biography; 1 Marlowe Scholarship and Criticism:The Current Scene; 2 Marlowe Thinking Globally; 3 Reviewing What We Think We Knowabout Christopher Marlowe, Again; 4 Was Marlowe a Violent Man?; Part 2 Stage:Theater, Dramaturgy; 5 Edward II and Residual Allegory; 6 What Shakespeare Did toMarlowe in Private:Dido, Faustus, and Bottom; 7 The Jew of Malta and theDevelopment of City Comedy:"The Mean Passage of a History"
- 8 Speaking to the Audience:Direct Address in the Plays of Marloweand His ContemporariesPart 3 Page:Texts and Interpretations:Marlowe the Ovidian; 9 On the Eventfulness ofHero and Leander; 10 Marlowe's First Ovid:Certaine of Ovids Elegies; 11 Marlowe and Marston's Cursus; 12 Marlowe's Last Poem:Elegiac Aesthetics and the Epitaph onSir Roger Manwood; Page:Texts and Interpretations:Marlowe's Reach; 13 Hell is Discovered:The Roman Destination of Doctor Faustus; 14 Consuming Sorrow:Conversion and Consumption in Tamburlaine: Part One
- 15 Fractional Faustus:Edward Alleyn's Part in thePrinting of the A-TextBibliography; Index