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Speaking in tongues : language at play in the theatre /
Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in par...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
University of Michigan Press,
2009, ©2006.
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| Edición: | 1st pbk. ed. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Carlson, Marvin, |d 1935- | |
| 245 | 1 | 0 | |a Speaking in tongues : |b language at play in the theatre / |c Marvin Carlson. |
| 250 | |a 1st pbk. ed. | ||
| 260 | |a Ann Arbor : |b University of Michigan Press, |c 2009, ©2006. | ||
| 300 | |a 1 online resource (257 pages) | ||
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| 504 | |a Includes bibliographical references (pages 233-244) and indexes. | ||
| 505 | 0 | |a The macaronic stage -- Dialect theatre : the case of Italy -- Postcolonial heteroglossia -- Postmodern language play -- The heteroglossia of side texts. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction ; T heories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present ; and The Haunted Stage: The Theatre as Memory Machine, among many other books. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Drama |x History and criticism. | |
| 650 | 0 | |a Language and languages in literature. | |
| 650 | 0 | |a Dialect drama |x History and criticism. | |
| 650 | 0 | |a Dialect drama, Italian |x History and criticism. | |
| 650 | 0 | |a Experimental theater |x History |y 20th century. | |
| 650 | 0 | |a Experimental drama |x History and criticism. | |
| 650 | 0 | |a Theater |z Developing countries |x History |y 20th century. | |
| 650 | 0 | |a Interpreters for the deaf. | |
| 650 | 6 | |a Théâtre (Genre littéraire) |x Histoire et critique. | |
| 650 | 6 | |a Langage et langues dans la littérature. | |
| 650 | 6 | |a Théâtre dialectal |x Histoire et critique. | |
| 650 | 6 | |a Théâtre expérimental |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS. |2 bisac | |
| 650 | 7 | |a Theater / History & Criticism. |2 bisac | |
| 650 | 7 | |a TRAVEL |x Special Interest |x Literary. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Dialect drama. |2 fast |0 (OCoLC)fst00892404 | |
| 650 | 7 | |a Dialect drama, Italian. |2 fast |0 (OCoLC)fst00892409 | |
| 650 | 7 | |a Drama. |2 fast |0 (OCoLC)fst00897468 | |
| 650 | 7 | |a Experimental drama. |2 fast |0 (OCoLC)fst00918412 | |
| 650 | 7 | |a Experimental theater. |2 fast |0 (OCoLC)fst00918508 | |
| 650 | 7 | |a Interpreters for the deaf. |2 fast |0 (OCoLC)fst00977467 | |
| 650 | 7 | |a Language and languages in literature. |2 fast |0 (OCoLC)fst00992277 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 651 | 7 | |a Developing countries. |2 fast |0 (OCoLC)fst01242969 | |
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| 650 | 7 | |a Drama. |2 hilcc | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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| 776 | 0 | 8 | |i Print version: |a Carlson, Marvin A., 1935- |t Speaking in tongues. |b 1st pbk. ed. |d Ann Arbor : University of Michigan Press, 2009, ©2006 |z 9780472033928 |w (OCoLC)521099553 |
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