Solo performances : staging the early modern self in England /

In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit monological speech and the solioquy - that quintessential solo performance - o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Berns, Ute
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; New York, NY : Rodopi, 2010.
Colección:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 132.
Temas:
1500-1600
English drama > Early modern and Elizabethan, 1500-1600 > History and criticism.
Self in literature.
Théâtre anglais > 16e siècle > Histoire et critique.
Moi (Psychologie) dans la littérature.
DRAMA > English, Irish, Scottish, Welsh.
English drama > Early modern and Elizabethan
Self in literature
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preliminary Material
  • Foreword / Manfred Pfister
  • Solo Performances
  • an Introduction / Ute Berns
  • The Theatre in the Head Performances of the Self for the Self by the Self / Ina Schabert
  • Subjectivity and the Ekphrastic Prerogative Emilia's Soliloquy in The Two Noble Kinsmen / Andrew James Johnston
  • Our Good Will Shakespeare's Cameo Performance / Richard Wilson
  • Spiritual Self-Fashioning John Lilburne at the Pillory / Werner von Koppenfels
  • Auto-Dialogues Performative Creation of Selves / Jürgen Schlaeger
  • The Life and Strange and Surprising Adventures of Hamlet, of Denmark / Günter Walch
  • A Spider in the Eye/I The Hallucinatory Staging of the Self in Shakespeare's The Winter's Tale / Maria Del Sapio Garbero
  • Of Idiocy, Moroseness, and Vitriol Soloists of Rage in Ben Jonson's Satire / Rui Carvalho Homem
  • The Poem as Performance Self-Definition and Self-Exhibition in John Donne's Songs and Sonets / Wolfgang G. Müller
  • Plays of Self Theatrical Performativity in Donne / Margret Fetzer
  • Stating the Sovereign Self Polity, Policy, and Politics on the Early Modern Stage / Roger Lüdeke and Andreas Mahler
  • The Monarch as the Solo Performer in Stuart Masque / Jerzy Limon
  • Turkish Brags and Winning Words Solo Performances in Christopher Marlowe's Tamburlaine the Great / Ralf Hertel
  • Notes on Contributors.

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