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Photography /
Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyze photographs and exploring the impact of digital technology. T...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Routledge,
2010.
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| Colección: | Routledge introductions to media and communications.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Chapter 1 INTRODUCTION: PHOTOGRAPHY NOW
- chapter 2 THE IDENTITY OF PHOTOGRAPHY
- chapter 3 THE MEANINGS OF PHOTOGRAPHS
- chapter 4 PHOTOGRAPHY FOR SALE
- chapter 5 SNAPSHOTS
- chapter 6 THE PHOTOGRAPH AS DOCUMENT
- chapter 7 PHOTOGRAPHS AS ART
- chapter 8 PHOTOGRAPHS IN FASHION
- chapter 9 PHOTOGRAPHY AND CELEBRITY
- chapter 10 CONCLUSION: AFTER PHOTOGRAPHY?
- 1. Photography now : The structure of this book
- 2. The identity of photography : Fixing the image: the conception of photography ; Modernism: the nature of photography ; Postmodernism: the culture of photography ; The thing itself? The question of indexicality ; Past/present/future: photography and time ; Digital debates: revolution or evolution? ; The photograph as object: materiality ; The photograph as image: dematerialisation ; From fixity to transience: the re-conception of photography
- 3. The meanings of photographs : Understanding semiotics: signs, signifiers and signifieds ; A bag of pasta and a cup of tea: rhetoric of the image ; Fixing meanings: words ; Fixing meanings: contexts ; Fixing meanings: discourses ; Photography and psychoanalysis: the unconscious, fetishism and the uncanny ; Pleasures of looking at photographs: the gaze ; Viewers of photographs: other looks ; Camera Lucida: studium and punctum
- 4. Photography for sale : Photography for selling: advertising and identification ; From selling products to creating atmospheres: advertising photography and image banks ; Photography against selling: subvertising and stencils ; Selling photographs: marketing the media ; Selling photography: mass-marketing the medium ; Selling digital photography: fixed and transient commodities
- 5. Snapshots : Private snapshots: the silent majority of photography ; The nature of snapshots: the snapshooter's eye ; The Kodak culture of snapshots: tourism, family and memory ; Phototherapy: the family album and beyond ; Digital snapshots: screens and performance ; Online social networking: snapshots go public
- 6. The photograph as document : Photographs as evidence: portraits and surveillance ; Classification by observation: anthropology and colonialism ; Objective fictions: documentary photography and photojournalism ; Subjective facts: documentary photography in the photobook and gallery ; Shock and awe: war and its aftermath ; Evidence by participants: amateur documents and citizen journalism
- 7. Photographs as art : Pictorialism: photography as painting ; Modernism: 'straight' photography ; Photography in the modern art gallery: authorship and expression ; Conceptual art: artists using photography ; Postmodernism: the artist as photographer and 'the death of the author' ; Contemporary art photography: the photographer as artist
- 8. Photographs in fashion : The 1920s to the 1960s: elitism to accessibility ; The 1970s and the 1980s: fantasy
- Into the 1990s: abject realism ; Post-photographic pre-millennial fashion photography: anxiety and desire ; The 2000s: performance art
- 9. Photography and celebrity : The face of celebrity: photographing the famous ; The golden age of celebrity: fame and mass reproduction ; The celebrity close-up: paparazzi photography and fan culture ; The circle of shame: mortification and the age of mass celebrity ; Virtually famous: digital reproduction and online celebrity
- 10. After photography?