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|a Rochester, Joanne.
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|a Staging spectatorship in the plays of Philip Massinger /
|c Joanne Rochester.
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|a Farnham, Surrey ;
|a Burlington, VT :
|b Ashgate,
|c ©2010.
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|a 1 online resource (172 pages)
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|a Studies in performance and early modern drama
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|a Includes bibliographical references and index.
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|a In Staging Spectatorship in the Plays of Philip Massinger, Joanne Rochester examines examples of on-stage spectatorship in three plays by Massinger, head playwright for the King's Men from 1625 to 1640. Focusing on the specific form of metatheatrical inset in each play-plays-within in The Roman Actor, masques-within in The City Madam, and the titular miniature portrait of The Picture - she analyzes Massinger's assumptions about interpretation, perception and spectator response.
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|a "What doe wee acte to day?": plays within the play: The Roman actor -- "For your sport / You shall see a masterpiece": Masques-within in The picture, The guardian and The city madam -- "Speculations / On cheating pictures": visual art as dramatic inset: The picture -- "Make your howse the stage on which weel act/our comick sceane: trials and paradramatic scenes.
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|a Massinger, Philip,
|d 1583-1640
|x Criticism and interpretation.
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600 |
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|a Massinger, Philip,
|d 1583-1640
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650 |
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|a Theater audiences in literature.
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|a Visual perception in literature.
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650 |
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|a Theater audiences
|z England
|x History
|y 17th century.
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650 |
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|a Perception visuelle dans la littérature.
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650 |
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|a Théâtre
|x Publics
|z Angleterre
|x Histoire
|y 17e siècle.
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|a Theater audiences in literature
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|a Visual perception in literature
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|a 1600-1699
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|a Criticism, interpretation, etc.
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|i Print version:
|a Rochester, Joanne.
|t Staging spectatorship in the plays of Philip Massinger.
|d Farnham, Surrey ; Burlington, VT : Ashgate, ©2010
|w (DLC) 2009031368
|
830 |
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|a Studies in performance and early modern drama.
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