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Space, time, and presence in the icon : seeing the world with the eyes of God /
This book contributes to the re-emerging field of "theology through the arts" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham, Surrey, England ; Burlington, VT :
Ashgate,
©2010.
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| Colección: | Ashgate studies in theology, imagination, and the arts.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- The role of time in pictorial art
- The role of time in the visual arts : seeing a picture in the twinkling of an eye
- The doctrine of the purity of art
- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next
- The problem of time in the pictorial arts Bakhtin's chronotope
- On reverse perspective : a critical reading
- Implications of the term reverse perspective : reverse of what?
- First stage : Florensky
- Second stage : Zhegin
- Third stage : Boris Uspensky
- An alternative view : Karl Doehlemann
- Registering presence in the icon
- The cult of images and Eastern Orthodox identity
- The western position : a critical reappraisal
- Icon and relic
- Real presence in the image
- Classical antique sources
- Christian sources : Byzantine theology of the image
- A modern view : the icon as symbol in Florensky's writings
- Seeing the world with the eyes of God : an alternative explanation of reverse perspective
- A new definition of reverse perspective as a prerequisite for the present hypothesis
- The cubist background
- The theosophical background
- Classical Greek sources on divine eternity
- Christian sources on divine eternity
- Theology through liturgy
- Theology through the arts
- The present hypothesis in context
- Leibniz and the way God sees things
- Schopenhauer and art as a repetition of eternity
- Worringer's eternalization of the object.