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EBSCO_ocn608524866 |
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|a D30B1D54-BB0A-4350-8A2D-8EE5305F4C50
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|a 791.4302/33092
|2 22
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|a UAMI
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|a Dombrowski, Lisa.
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|a The films of Samuel Fuller :
|b if you die, I'll kill you! /
|c Lisa Dombrowski.
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|a Middletown, Conn. :
|b Wesleyan University Press,
|c ©2008.
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|a 1 online resource (xii, 246 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Wesleyan film
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|a Includes bibliographical references (pages 233-237) and index.
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|a Includes filmography (pages 227-232).
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|a Introduction -- The Fuller biographical legend -- Fuller as storyteller -- Movement and conflict -- The Lippert years, 1948-1951 -- The marketplace for low-budget films -- Early experiments: I shot Jesse James and The baron of Arizona -- Establishing a voice: The steel helmet -- The Fox years, 1951-1956 -- The trade-offs of studio filmmaking -- Return to war: Fixed bayonets -- Complete independence: Park Row -- Brutality: Pickup on South Street -- Classical style: Hell and high water and House of bamboo -- The Globe years, 1956-1961 -- The challenges of independence -- No holds barred: Run of the arrow, China gate, Forty guns, and Verboten! -- Sensational style: The crimson kimono and Underworld, U.S.A. -- The freelance years, 1961-1964 -- Return to war: Merrill's marauders -- Adult exploitation: Shock corridor and The naked kiss -- Fuller goes to Vietnam: The rifle -- The final battles, 1965-1997 -- Critical recognition, professional frustration -- Loose ends: Shark! and Dead pigeon on Beethoven Street -- A personal journey: The big red one -- Inciting controversy: White dog -- In exile: Thieves after dark and Street of no return -- Conclusion.
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified] :
|c HathiTrust Digital Library,
|d 2010.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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1 |
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|a digitized
|c 2010
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a Print version record.
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|a LISA DOMBROWSKI is an associate professor of film studies at Wesleyan University.
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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1 |
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|a Fuller, Samuel,
|d 1912-1997
|x Criticism and interpretation.
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|a Fuller, Samuel,
|d 1912-1997
|2 fast
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Dombrowski, Lisa.
|t Films of Samuel Fuller.
|d Middletown, Conn. : Wesleyan University Press, ©2008
|w (DLC) 2007037126
|w (OCoLC)171049715
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|a Wesleyan film.
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|z Texto completo
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