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The eternal present of the past : illustration, theatre, and reading in the Wanli period, 1573-1619 /
Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden : Biggleswade :
Brill ; Extenza Turpin [distributor],
2007.
|
| Colección: | China studies (Leiden, Netherlands) ;
v. 12. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Hsiao, Li-ling, |d 1964- | |
| 245 | 1 | 4 | |a The eternal present of the past : |b illustration, theatre, and reading in the Wanli period, 1573-1619 / |c Li-ling Hsiao. |
| 260 | |a Leiden : |b Brill ; |a Biggleswade : |b Extenza Turpin [distributor], |c 2007. | ||
| 300 | |a 1 online resource (xix, 347 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a China studies ; |v v. 12 | |
| 504 | |a Includes bibliographical references (pages 313-334) and index. | ||
| 505 | 0 | |a Acknowledgments; List of Illustrations; Introduction: Theater, Illustration, and Time; Chapter One: Toward the Contextualization of Woodblock Illustration: A Critique of Art Historical Method; Chapter Two: The Stage or the Page: Competing Conceptions of the Play in the Wanli Period; Chapter Three: Performance Illustration; Chapter Four: Performance as an Interaction with the Past; Chapter Five: Image as an Interaction with the Past; Chapter Six: Reading as an Interaction with the Past; Conclusion: The Role of the Publisher; Appendix; Glossary; Bibliography; Index. | |
| 520 | |a Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 650 | 0 | |a Chinese drama |y Ming dynasty, 1368-1644 |x History and criticism. | |
| 650 | 6 | |a Théâtre chinois |y 1368-1644 (Dynastie des Ming) |x Histoire et critique. | |
| 650 | 7 | |a LITERARY CRITICISM |x Asian |x General. |2 bisacsh | |
| 650 | 7 | |a Chinese drama |x Ming dynasty |2 fast | |
| 648 | 7 | |a 1368-1644 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Xiao, Li-ling, 1964- |t Eternal present of the past. |d Leiden : Brill ; Biggleswade : Extenza Turpin [distributor], 2007 |w (DLC) 2007298876 |w (OCoLC)85898551 |
| 830 | 0 | |a China studies (Leiden, Netherlands) ; |v v. 12. | |
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