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Harmony + dissent : film and avant-garde art movements in the early twentieth century /

"R. Bruce Elder argues that the authors of many of the lively manifestos that announced the appearance of new artistic movements shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that these arts might take on attributes of the cinema. In the e...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Elder, Bruce (R. Bruce)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Waterloo, Ont.] : Wilfrid Laurier University Press, ©2008.
Colección:Film + media studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Harmony + dissent :  |b film and avant-garde art movements in the early twentieth century /  |c R. Bruce Elder. 
246 3 |a Harmony and dissent 
246 3 0 |a Film and avant-garde art movements in the early twentieth century 
260 |a [Waterloo, Ont.] :  |b Wilfrid Laurier University Press,  |c ©2008. 
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490 1 |a Film and media studies series 
504 |a Includes bibliographical references and index. 
505 0 |a The philosophical and the occult background to the absolute film -- Modernism and the absolute film -- Spiritual interests in the late nineteenth-century and early twentieth-century Russia -- Symbolism and its legacies -- Constructivism: between productivism and suprematism -- Eisenstein, constructivism, and the dialectic. 
546 |a Includes some text in German. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
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520 1 |a "R. Bruce Elder argues that the authors of many of the lively manifestos that announced the appearance of new artistic movements shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that these arts might take on attributes of the cinema. In the early decades of the twentieth century, Elder argues, the cinema became a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape." "To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity's cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar - and highly questionable - epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that the crisis of cognition precipitated by modernity gave rise to a peculiar sort of "pneumatic (spiritual) epistemology.""--Jacket 
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600 1 0 |a Eisenstein, Sergei,  |d 1898-1948  |x Criticism and interpretation. 
600 1 6 |a Eisenstein, Sergei,  |d 1898-1948  |x Critique et interprétation. 
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650 0 |a Art and motion pictures. 
650 0 |a Avant-garde (Aesthetics) 
650 0 |a Modernism (Art) 
650 0 |a Motion pictures and the arts. 
650 6 |a Art et cinéma. 
650 6 |a Avant-garde (Esthétique) 
650 6 |a Modernisme (Art) 
650 6 |a Cinéma et arts. 
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650 7 |a Art and motion pictures.  |2 fast  |0 (OCoLC)fst00815412 
650 7 |a Avant-garde (Aesthetics)  |2 fast  |0 (OCoLC)fst00824280 
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650 7 |a Filmen och konsten.  |2 sfit 
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830 0 |a Film + media studies. 
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