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Crowds, power, and transformation in cinema /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Detroit :
Wayne State University Press,
©2006.
|
| Colección: | Contemporary approaches to film and television series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 037 | |n Title subscribed to via ProQuest Academic Complete | ||
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| 050 | 4 | |a PN1995.9.C67 |b B75 2006 | |
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| 100 | 1 | |a Brill, Lesley, |d 1943- | |
| 245 | 1 | 0 | |a Crowds, power, and transformation in cinema / |c Lesley Brill. |
| 260 | |a Detroit : |b Wayne State University Press, |c ©2006. | ||
| 300 | |a 1 online resource (x, 279 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 347 | |a data file | ||
| 490 | 1 | |a Contemporary approaches to film and television series | |
| 504 | |a Includes bibliographical references (pages 259-271) and index. | ||
| 505 | 0 | |a 1. Crowds and power in two silent films : Eisenstein's The Battleship Potemkin and Griffith's Intolerance -- 2. The comedic crowds of Preston Sturges -- 3. The deceitful dead and the triumph of nothing : Kurosawa's Throne of blood -- 4. Crowds, isolation, and transformation in Welles's Citizen Kane -- 5. Packs, predators, and love in Hitchcock's North by northwest -- 6. "Boundaries, burdens and stings" : living as prey in Burnett's Killer of sheep -- 7. Changing places : predation, transformation, and identity in Demme's The Silence of the lambs. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b A noted critic brings crowd theory to Film Studies, offering a bold new analysis of the pervasive cinematic themes of transformation and power. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 7 | |a Canetti, Elias. |2 swd |
| 630 | 0 | 7 | |a Masse und Macht. |2 swd |
| 650 | 0 | |a Crowds in motion pictures. | |
| 650 | 0 | |a Power (Social sciences) | |
| 650 | 6 | |a Foules au cinéma. | |
| 650 | 6 | |a Pouvoir (Sciences sociales) | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Crowds in motion pictures |2 fast | |
| 650 | 7 | |a Power (Social sciences) |2 fast | |
| 650 | 7 | |a Menschenmenge |g Motiv |2 gnd | |
| 650 | 7 | |a Macht |g Motiv |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Brill, Lesley, 1943- |t Crowds, power, and transformation in cinema. |d Detroit : Wayne State University Press, ©2006 |w (DLC) 2005020939 |w (OCoLC)61169695 |
| 830 | 0 | |a Contemporary approaches to film and television series. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=698502 |z Texto completo |
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