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|a Comparative Drama Conference
|n (29th :
|d 2005 :
|c California State University, Northridge)
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245 |
1 |
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|a Text & presentation, 2005 /
|c edited by Stratos E. Constantinidis.
|
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|a Jefferson, N.C. :
|b McFarland,
|c ©2006.
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|a 1 online resource (ix, 262 pages)
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|a Comparative drama conference series ;
|v 2
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|a Includes bibliographical references and index.
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0 |
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|t Aristophanes and the theatre of burlesque /
|r J. Michael Walton --
|t Dramatic force of questions in early modern drama /
|r Joel Tansey --
|t Globalization of "riverbed beggars" /
|r John D. Swain --
|t Constance Ledbelly's birthday: construction of the feminist archetype of the self in Ann-Marie MacDonald's Goodnight Desdemona (Good morning Juliet) /
|r Laura Snyder --
|t Waking up with Kaffirs: the challenge of maintaining the social fabric in The iceman cometh /
|r Michael Schwartz --
|t Prolegomenon to comparative drama in Canada: in defense of binary studies /
|r Gregory J. Reid --
|t Olga Taxidou's Medea: a world apart in Tbilisi, Georgia, in 1997 /
|r Vassiliki Rapti --
|t Politics of the heart: the use of alienation and Yeats's The dreaming of the bones /
|r Patrick Query --
|t Tian Han, western theatre, and Japan: the problem with source-based and target-based intercultural models /
|r Siyuan Liu --
|t "Improvisations of local character": representations of tragedy in the absence of theatre /
|r Lillis Ó Laoire --
|t Kimchi and corn: Asian American liminality in Sung Rno's Cleveland raining /
|r Kyounghye Kwon --
|t "Fair fierce women": from the rat-wife and Peg Inerny to Cathleen Ni Houlihan /
|r Miglena Ivanova --
|t Crossover cross-dressing: vampire lesbians and the assimilation of ridiculous theatre /
|r Kenneth Elliott --
|t Poets and ghosts before breakfast: O'Neill, Keats, and Le Fanu /
|r Brian Desmond --
|t Playing with history in a private space in Taesok Oh's Gynewah Gyrungyee and Apsana Dangyugra Ogeuma Miryora /
|r Youngjoo Choi --
|t "Metaphors made flesh": embodying allegory in Mary Zimmerman's Metamorphoses /
|r Miriam Chirico --
|t Frank Castorf's vision of America: the pathology of cultural roles in a mediatized society /
|r Klaus van den Berg --
|t Samuel Becket: a review essay /
|r Anne Marie Drew --
|g Review of literature: selected books.
|t W.B. Worthen, Shakespeare and the force of modern performance /
|r David Bevington --
|t Terry Eagleton, Sweet violence: the idea of the tragic /
|r Suzanne Gossett --
|t Stephen Greenblatt, Will in the world: how Shakespeare became Shakespeare /
|r Kiki Gounaridou -- Erroll G. Hill and James V. Hatch, eds., A history of African American theatre /
|r John Rogers Harris -- Penny Farfan, Women, modernism & performance /
|r M. Beth Meszaros --
|t Harry J. Elam, Jr. The past as present in the drama of August Wilson /
|r N. Graham Nesmith --
|t Edith Hall, Fiona Macintosh, and Amanda Wrigley, eds., Dionysus since 69: Greek tragedy at the dawn of the third millennium /
|r John Thorburn --
|t John Conteh-Morgan and Tejumola Olaniyan, eds. African drama and performance /
|r Kevin J. Wetmore, Jr.
|
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|a Print version record.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Drama
|v Congresses.
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650 |
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6 |
|a Théâtre (Genre littéraire)
|v Congrès.
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|a PERFORMING ARTS
|x Theater
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|a Conference papers and proceedings
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|a Constantinidis, Stratos E.
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|i Print version:
|a Comparative Drama Conference (29th : 2005 : California State University, Northridge).
|t Text & presentation, 2005.
|d Jefferson, N.C. : McFarland, ©2006
|z 9780786425808
|w (OCoLC)67777057
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|a Comparative Drama Conference.
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