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|a The Routledge dance studies reader /
|c [edited by] Alexandra Carter.
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|a London ;
|a New York :
|b Routledge,
|c 1998.
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300 |
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|a 1 online resource (xix, 316 pages)
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|a text
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|a online resource
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|a data file
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|a "Represents the range and diversity of writings on dance from the 1980s and 1990s"--Page 4 of cover
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|a Includes bibliographical references (pages 294-304) and index.
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|a Book Cover; Title; Contents; Acknowledgements; List of contributors; General introduction; Introduction; Choreographers: dancing for de Valois and Ashton; Torse: there are no fixed points in space; 'No' to spectacle; Pina Bausch: dance and emancipation; Imaginary homelands: creating a new dance language; Introduction; Dancers talking about performance; I am a dancer; A dancing consciousness; Spacemaking: experiences of a virtual body; Introduction; Bridging the critical distance; Between description and deconstruction; Oh, That Pineapple Rag!; Spring: Ashton's Symphonic Variations in America.
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|a Represents the range and diversity of writings on dance from the mid-to-late 20th century, providing contemporary perspectives on ballet, modern dance, postmodern 'movement performance' jazz and ethnic dance.
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|a Print version record.
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|a English.
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|a Dance.
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|a Modern dance.
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|a Dance
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|a Dance
|x Sociological aspects.
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|a Danse.
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|a Danse
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|a Danse
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|a dances (performing arts compositions)
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|a PERFORMING ARTS
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|a Carter, Alexandra.
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|i Print version:
|t Routledge dance studies reader.
|d London ; New York : Routledge, 1998
|w (DLC) 97046643
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